The Races at Longchamp

1. The artist; sold to Emile Théodore Delius, Paris, 1877, for 1,000 francs [per see Copie faite pour E. Moreau-Nélaton de documents sur Manet appartenant à Léon Leenhoff vers 1910, Bibliothèque nationale de France, Estampes et photographie, RESERVE 8-YB3-2401, p. 76]; sold to Durand-Ruel, Paris, June 1, 1896, for 3,000 francs [this and the following per Durand-Ruel, Paris, stock book for c. 1896 (no. 3838, as Les Courses), copy of archival reference in curatorial object file]; sold to Potter Palmer (d. 1902), Chicago, June 21, 1896, for 45,000 francs; by descent in the Palmer family, Chicago; given to the Art Institute of Chicago, Chicago, 1922.

Recorded by Art Institute of Chicago.

• Paris, Ecole Nationale des Beaux-Arts, Exposition des Oeuvres de Edouard Manet, January 1884, cat. 61.
• New York, Durand-Ruel Galleries, Exposition of Paintings by Edouard Manet, 1895, cat. 27.
• The Art Institute of Chicago, A Century of Progress: Exhibition Painting and Sculpture, June 1-November 1, 1933, cat. 332.
• The Art Institute of Chicago, A Century of Progress: Exhibition Painting and Sculpture, June 1-November 1, 1934, cat. 252.
• New York, Wildenstein & Co., Edouard Manet: A Retrospective Loan Exhibition for the Benefit of French Hospitals, March-April, 1937, cat. 18 (ill.).
• Cambridge, Mass., The Fogg Museum of Art, Harvard University, The Horse: Its Significance in Art, April 20-May 2, 1938, cat. 14 (ill.).
• Detroit Institute of Arts, The Age of Impressionism and Objective Realism, May-June, 1940, cat. 20
• New York, Wildenstein & Co., From Paris to Sea Down the River Seine, January-February, 1943, cat. 18 (ill.).
• Richmond, Va., Virginia Museum of Fine Arts, Sport and the Horse, April 1-May 15, 1960, cat. 58.
• Sarasota, Florida, John and Mable Ringling Museum of Art, Palmer Family Collections Exhibition, February 23-March 24, 1963, cat. 13.
• Rochester, New York, The Rochester Memorial Art Gallery of the University of Rochester, In Focus: A Look at Realism in Art, December 28, 1964-January 31, 1965.
• The Philadelphia Museum of Art, Manet, November 3-December 11, 1966, cat. 68 (ill.), traveled to The Art Institute of Chicago, January 13-February 19, 1967, shown only in Chicago.

• Emile Zola, Edouard Manet: Etude biographique et critique (Paris, 1867), p. 39, reprinted in Zola, Mes Haines (Paris, 1928).
• Theodore Duret, Historie d’Edouard Manet et de son oeuvre (Paris, 1902), p. 228, no. 142.
• Zeitschrift für Bildende Kunst (April 1, 1910), p. 188.
• Théodore Duret, Manet and the French Impressionists (Paris, 1910), p. 231, no. 142.
• B. Haendcke, “Die historischen Grundlagen der Hell- und Freilichtmalerei,” Die Kunst 12, (January 1, 1911), p. 156 (ill).
• Julius Meier-Graefe, Édouard Manet (Munich, 1912), p. 220, fig. 123.
• Cicerone (October 1, 1913), p. 680.
• Antonin Proust, “Erinnerungen an Édouard Manet,” Kunst und Künstler 11 (1913), p. 211 (ill.).
• Jacques Emile Blanche, Quatre-Vingts Ans de peinture libre, 1800-1885 (Paris 1920), no. 17 (ill.)
• M.C., “Manets in the Art Institute,” The Bulletin of the Art Institute of Chicago 18 (1924), p. 49 (ill.).
• J.-E. Blanche, Manet (Paris, 1925), pp. 41, 46, pl. 26.
• Leon Rosenthal, “Manet et l’Espagne,” Gazette des Beaux Arts 12 (1925), pp. 210, 212.

The Tragic Actor (Rouvière in the role of Hamlet)

Art Institute of Chicago

Jesus Mocked by the Soldiers

Art Institute of Chicago

Édouard Manet

Art Institute of Chicago

Fish (Still Life)

Art Institute of Chicago

Woman Reading

Art Institute of Chicago

Berthe Morisot in Silhouette

Art Institute of Chicago

Beggar with a Duffle Coat (Philosopher)

Art Institute of Chicago

Beggar with Oysters (Philosopher)

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.