
Art Institute of ChicagoPublic domain
The Song of the Lark
Jules Breton · 1884
Provenance
Ownership history
- Bought from the artist by George A. Lucas, Paris, for Samuel P. Avery in 1885 [this and the following information according to Omaha 1982-83]; sold to Henry Field (died 1890), Chicago, 1885; by descent to his wife, Mrs. Florence Lathrop Field; transferred to the Art Institute in October 1894; given to the Art Institute, 1916.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Paris, Salon, 1885, cat. 369.
- Chicago, Worlds Columbian Exhibition: Loan Collection: Foreign Masterpieces Owned in the United States, 1893, no. 3047.
- Hartford, Wadsworth Atheneum, An Exhibition of Literature and Poetry in Painting Since 1850, January-February, 1933, cat. 8 (ill.).
- Los Angeles Art Association, The Song of the Lark by Jules Breton Lent by the Art Institute of Chicago, March 1935, no cat.
- Dallas, Museum of Fine Arts, June 1935, no cat.
- Colorado Springs Fine Arts Center, Gay Nineties Exhibition, Fall 1950.
- Denver Art Museum, Spring Quarterly Exhibition: Man at Work, March 2-April 27, 1952, no cat.
- Los Angeles, Municipal Art Gallery, Old Favorites Revisited, October 6-November 8, 1959.
- Muskegon, Hackley Art Gallery, November 1-30, 1955.
- Washington, DC, National Collection of Fine Arts (Smithsonian Institution), American Art in the Barbizon Mood, January 23-April 20, 1975, cat. 1 (ill.).
- Omaha, Joslyn Art Museum, Jules Breton and the French Rural Tradition, November 6, 1982-January 2, 1983, cat. 39 (ill.), traveled to Memphis, Dixon Gallery and Gardens, January 16-March 6, 1983 and Williamstown, Sterling and Francine Clark Institute, April 2-June 5, 1983.
- Tokyo, Seibu Museum of Art, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18-December 17, 1985 cat. 12 (ill.), traveled to Fukuoka Art Museum, January 5-February 2, 1986 and Kyoto Municipal Museum of Art, March 4-April 13, 1986.
Literature
Published references
- “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
- “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 21, 1 (1894), p. 19.
- “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
- Roger Marx, “Le Salon de 1885,” Le Voltaire (May 1, 1885), p. 1.
- J. Noulens, “Le Salon de 1885,” La Presse (May 1, 1885), p. 3.
- "Pictures at the Salon," New York Times (May 18, 1885), p. 2.
- Henry Havard, “Le Salon,” Le Siècle (May 19, 1885), p. 1.
- Mario Porth, “Voyage au pays des peintres,” Le Reveil (May 23, 1885), p. 2.
- Henry Fouquier, “Le Salon de 1885,” Le Dix-neuvième siècle (May 26, 1885), p. 2.
- Herni Chantavoine, “Le Salon de 1855,” La Nouvelle Revue 34 (May 1885), pp. 591-92.
- André Michel, “Le Salon de 1885,” Gazette des Beaux-Arts ser. 2, 31 (June 1885), p. 490.
- G. Dumas, Catalogue illustré du Salon (Paris, 1885), cat. 369.
Comparables
Related holdings by the same hand

The Weeders
The Metropolitan Museum of Art

A Peasant Girl Knitting
The Metropolitan Museum of Art

Woman at the Spinning Wheel
The Metropolitan Museum of Art

Joan of Arc
The Metropolitan Museum of Art
Autographs and Sketches from Artist Friends to Samuel P. Avery
The Metropolitan Museum of Art

Breton Peasant Woman
The Metropolitan Museum of Art

The Death of Socrates
The Metropolitan Museum of Art
The Pardon in Brittany
The Metropolitan Museum of Art
Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant