The Triumph of Time (recto); Sketch of a Stag (verso)

1. Earl of Dalhousie (possibly Arthur George Maule Ramsay, 14th Earl of Dalhousie (1878–1928)), Dalhousie Castle, Midlothian, Scotland [stamp (Lugt 717a), recto, lower center, in black].  P&D Colnaghi, London, from 1922 [Lugt 717a]. Possibly Cassirer, Berlin [Lugt 717a]. Sold by Ederheimer to Potter Palmer, Jr. (1875–1943), Chicago, May 1926 [according to 1936 Palmer collection inventory]; given to the Art Institute of Chicago, 1939.

Recorded by Art Institute of Chicago.

• New York, Wildenstein and Company, Master Drawings from the Art Institute of Chicago, Oct. 17–Nov. 30, 1963, n.p., cat. 26, pl. X (as Dirk Vellert).
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 177-78, 180, (ill.), 318, 337, cat. 62, cat. by Victoria Sancho Lobis, et. al.

Roundel with Saint John on Patmos with Apocalyptic Vision

The Metropolitan Museum of Art

Allegory of Rout and Pillage

The Metropolitan Museum of Art

The Adoration of the Christ Child

The Metropolitan Museum of Art

Annunciation Triptych (Merode Altarpiece)

The Metropolitan Museum of Art

Virgin and Child

The Metropolitan Museum of Art

Virgin and Child

The Metropolitan Museum of Art

The Crucifixion; The Last Judgment

The Metropolitan Museum of Art

Daimyo Procession to Edo

The Metropolitan Museum of Art

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