
The Vision of Saint Eustace
Federico Zuccaro (Zuccari) · 1542–1609
Analyst brief
What the record supports
"The Vision of Saint Eustace" is a drawing attributed to Federico Zuccaro (Zuccari), active between 1542 and 1609. The artwork was created using point of brush with brown, gray, green, yellow, and red wash, highlighted with white, over red and black chalk, and is lightly squared in black chalk. Its dimensions are 13 7/16 x 7 15/16 inches (34.1 x 20.2 cm), and it is classified within the "Drawings" department at The Metropolitan Museum of Art.
The artwork became part of The Metropolitan Museum of Art's collection in 1962, acquired through the Rogers Fund. However, specific provenance details, including prior ownership history, are not provided in the catalogue record. Information regarding any exhibitions in which this specific work has been featured or any related scholarly literature is also missing.
The Metropolitan Museum of Art holds several other works by Federico Zuccaro, including "Ecce Homo" (1540/41–1609), "God the Father" (1570–80), and "Study for The Allegory of Spring" (1579). Other comparable holdings include various studies and religious scenes, such as "A Standing Angel and two Cherubs" (ca. 1566) and "The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants" (1540/41–1609).
Generated from the catalogue fields shown on this page. Nartmad does not assert attributions, valuations or prices that no cited source supports.
Comparables
Related holdings by the same hand

Ecce Homo
The Metropolitan Museum of Art

God the Father
The Metropolitan Museum of Art

Study for The Allegory of Spring
The Metropolitan Museum of Art

Half-Length Study of a Man Standing in Frontal View, Leaning on Armor and Accompanied by a Boy
The Metropolitan Museum of Art

A Standing Angel and two Cherubs
The Metropolitan Museum of Art

The Virgin and Child with Saint Joseph, Attendant Angels, and a Group of Supplicants
The Metropolitan Museum of Art

The Virgin and Child Appearing to Saint Peter, Saint Damasus, Saint Lawrence, and Saint Paul; the Martyrdom of Saint Lawrence in the Background
The Metropolitan Museum of Art

Scene from the Last Judgment, Study for the Fresco Decoration of One of the Segments of the Cupola of the Cathedral of Santa Maria del Fiore in Florence
The Metropolitan Museum of Art
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