Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F by Francisco José de Goya y Lucientes
Art Institute of ChicagoPublic domain

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F

Francisco José de Goya y Lucientes · 1812/20

Provenance

Ownership history

  1. Probably by descent to the artist's son, Javier Goya, Madrid [according to Sayre 1958]. Mariano Goya, Madrid [according to Joachim 1979]. Valentin Carderera, Madrid (?)[according to Joachim 1979]. Paul Lebas, Paris [according to Gassier 1973]. Sold, Hôtel Drouot, Paris, April 3, 1877, lot 32, to Emile Calando [according to a letter from Pierre Gassier dated October 16, 1981 in curatorial file]; sold, Hôtel Drouot, Paris, December 11-12, 1899, lot 69. Paul Meurice (died 1906), Paris [according to Gassier 1973]; sold, Hôtel Drouot, Paris, May 25, 1906. Sold, Galerie Jean Charpentier, Paris, April 9, 1957, lot 61, to Hans Maximilian Calmann, London [according to annotated sale cat.]; sold to the Art Institute, 1960.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Stockholm, Sweden, Nationalmuseum, "Stora Spanska Maestare," December 12, 1959-March 13, 1960, cat. 291.
  • New York, Wildenstein and Company, "Master Drawings from The Art Institute of Chicago," October 17-November 30, 1963, n.p., cat. 123.
  • Frankfurt-am-Main, Staedtische Galerie im Staedelschen Kunstinstitut, "Goya: Zeichnungen und Druckgraphik" February 13-April 5, 1981, cat. L72.
  • The Art Institute of Chicago, "Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983," July 24-September 30, 1985, pp. 116-117, cat. 51 (ill.), cat. by Martha Tedeschi.
  • The Art Institute of Chicago, "Gods and (Super)heroes: Drawing in an Age of Revolution", November 16, 2017 - April 1, 2018.

Literature

Published references

  • Paul Lafond, Goya (Paris, 1902), no. 48.
  • Enrico Crispolti, "Disegni inediti di Goya," Commentari, 9 (April-June 1958).
  • Eleanor A. Sayre, "An Old Man Writing: A Study of Goya's Albums," Bulletin of the Museum of Fine Arts, Boston, LVI (1958), pp. 116-36.
  • Harold Joachim, "Notes on Some Recently Acquired Drawings," Art Institute of Chicago Quarterly, LII (1959), pp. 25-27.
  • The Art Quarterly, XXIII (Autumn 1960), p. 308 (ill.).
  • Betsy G. Fryberger, "Dream and Nightmare," The Art Institute of Chicago Quarterly, 56 (Winter 1962-1963), p. 67.
  • Jose Gudiol, Goya, 1746-1828: Biography, Analytical Study and Catalogue of his Paintings, I (Barcelona, 1971), no. 221 (ill.).
  • Pierre Gassier and Juliet Wilson, The Life and Complete Work of Francisco Goya (New York, 1971), no. 1473 (ill.).
  • Pierre Gassier, "Une source inedite de dessins de Goya en France aux XIXme siecle," Gazette des Beaux-Arts (July-August 1972), pp. 278-320.
  • Pierre Gassier, Frencisco Goya Drawings: The Complete Albums (New York, 1973), p. 486.
  • Harold Joachim, Italian Drawings of the 18th and 19th Centuries and Spanish Drawings of the 17th through 19th Centuries (Chicago, 1980), no. 3B11.

Comparables

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