
Tobias and the Angel
Jean Charles Cazin · 1878
Provenance
Ownership history
- Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Southampton, New York, Parrish Art Museum, In Support of Liberty: European Paintings at the 1883 Pedestal Fund Art Loan Exhibition, June 29–September 1, 1986, no. 11; New York, National Academy of Design, September 18–December 7, 1986.
- Art Institute of Chicago, Chicago’s Dream, a World’s Treasure: The Art Institute of Chicago, 1893–1993, November 1, 1993–January 9, 1994, no cat. no.
Literature
Published references
- “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
- Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 55, no. 4
- “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
- Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 36, no. 4.
- Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 63, no. 4.
- Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 70, no. 4.
- Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 90, no. 4.
- “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 4.
- Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 156, no. 104.
- Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), p. 711, no. 4.
- Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 162, no. 104.
- Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 173, no. 104.
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