Trinity

• New York, Museum of Modern Art, Americans 1942: 18 Artists from 9 States, p. 78 (ill.).
• San Francisco Museum of Art, Sixty–Third Annual Exhibition of the San Francisco Art Association, Oil, Tempera on Panel, Sculpture, Oct. 20–Nov. 14, 1943, cat. 38.
• Art Institute of Chicago, Fifty–Sixth Annual American Exhibition of Paintings, Oct. 25, 1945–Jan. 1, 1946, cat. 70, pl.XIII.
• London, Tate Gallery, American Painting From the Eighteenth Century to the Present Day, Jun–July 1946, cat. 118.
• San Francisco, California Palace of the Legion of Honor, Charles Howard, Retrospective Exhibition, 1925–1946, May 10–June 9, 1946, p. 118.
• New York, Museum of Modern Art, Abstract Painting and Sculpture in America, cat. by Andrew Carnduff Ritchie; Jan. 23–Mar. 25, 1951, cat. 48, p. 129 (ill.).
• IL, Durand Art Institute, Lake Forest College, <em>A Century of American Painting: Masterpieces Loaned by The Art Institute of Chicago</em>, June 10–16, 1957, no. 27.
• Oakland Museum, The Howards, First Family of Bay Area Modernism, cat. by Stacey Moss, May 14–Aug. 7, 1988, p. 114.
• Laguna Art Museum, Pursuit of the Marvelous: Stanley William Hayter, Charles Howard, Gordon Onslow Ford, Oct. 5, 1990–Jan. 13, 1991, p. 28 (ill.).
• University of California, Berkeley Art Museum and Pacific Film Archive, Charles Howard: A Margin of Chaos, June 21–Oct. 1, 2017, cat. 82.

• Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago, 2009), cat. 77. 132.

Primordial Pool

Art Institute of Chicago

April Reflection

Art Institute of Chicago

Abstraction on Concrete

Art Institute of Chicago

Untitled [Broken Glass]

Art Institute of Chicago

Untitled [Pebbles on Sand]

Art Institute of Chicago

It Rocks but is Not Sunk

Art Institute of Chicago

The Return of Odysseus (Homage to Pinturicchio and Benin)

Art Institute of Chicago

Still Life: Apples and Green Glass

Art Institute of Chicago

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