Tunic by Wari
Art Institute of ChicagoPublic domain

Tunic

Wari · 600-800

Provenance

Ownership history

  1. Eduard Gaffron (1861–1931), Lima, Peru, from 1892 to 1912, then Berlin, from 1912 [History of the Department report (Joanne Behrens, 1985) and correspondence in curatorial file]; by descent to his children, Mercedes Gaffron, Durham, SC, and Hans Gaffron (1902–1979), Chicago [correspondence and documentation of the Gaffron Collection in curatorial file]; sold to the Art Institute, 1955.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Museum of Modern Art, New York, Ancient Arts of the Andes, Jan. 25-Mar. 21, 1954; Minneapolis Institute of Arts and the California Palace of the Legion of Honor, San Francisco, cat.
  • Art Institute of Chicago, Masterpieces of Western Textiles, Jan. 25–Mar. 2, 1969.
  • Art Institute of Chicago, European Textile Masterpieces from Coptic Times through the Nineteenth Century, Sept. 27, 1989–Jan. 22, 1990.
  • Art Institute of Chicago, The Ancient Americas: Art from Sacred Landscapes, October 10, 1992–January 3, 1993, cat. 6; Museum of Fine Arts, Houston, Feb. 4-Apr. 18, 1993; Los Angeles County Museum of Art, June 6-Aug. 15, 1993 (Chicago only).
  • Art Institute of Chicago, Gallery 136, Department of African and Amerindian, Apr. 10-Aug. 28, 2012.
  • Art Institute of Chicago, Arts of the Americas, Gallery 136, Nov. 16, 2017-Jun. 6, 2018.
  • Art Institute of Chicago, Arts of the Americas rotation, Gallery 136, Dec. 13, 2022-Aug. 29, 2023.

Literature

Published references

  • Walter Lehmann with Heinrich Doering, Kunstgeschichete des Altan Peru (Berlin: Verlag Ernst Wasmuth A.G., 1924), pl. III.
  • Walter Lehmann with Heinrich Doering, The Art of Old Peru (Ernst Wasmuth, 1924), pl. III.
  • Heinrich Ubbelohde-Doering, The Art of Ancient Peru (Frederick A. Praeger, 1952), 31, pl. 101.
  • Wendell C. Bennett, Ancient Arts of the Andes, exh. cat. (Museum of Modern Art, 1954), 13, 81, figs. 6 and 91.
  • Minneapolis Institute of Art, “Ancient Arts of the Andes: Stylistic Aspects,” Minneapolis Institute of Art Bulletin 43 (1954), 35 and 38, fig. 7.
  • Erwin O. Christensen, Primitive Art (Thomas Y. Crowell Company, 1955), 231, fig. 252.
  • Arthur Szathmary, Scholar, Critic, and Layman (Art Treasures of the World, 1955), 12-13 (ill.).
  • Alan R. Sawyer, "Report on an Andean Expedition," Art Institute of Chicago Quarterly L, 1 (February 1956), 8 (ill.).
  • S. K. (Samuel Kirkland) Lothrop, Treasures of Ancient America: The Arts of the Pre-Columbian Civilizations from Mexico to Peru (Skira, 1964), 216 (ill.).
  • Allen Wardwell, Primitive Art in the Collections of the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1965), ill. 30.
  • Christa Charlotte Mayer, Masterpieces of Western Textiles from The Art Institute of Chicago, exh. cat. (Art Institute of Chicago, 1969), 13 and 19, pl. 5.
  • Rebecca R. Stone, “Technique and Form in Huari-Style Tapestry Tunics: The Andean Artist, A. D. 500-800” (Ph.D. diss., Yale University, 1987), 11, cat. 6.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record