Two Studies of a Roma Woman and a Roma Boy in a Large Hat by Jacques de Gheyn, II
Art Institute of ChicagoPublic domain

Two Studies of a Roma Woman and a Roma Boy in a Large Hat

Jacques de Gheyn, II · c. 1605

Provenance

Ownership history

  1. Anton Schmid (born 1904), Vienna [Altena 1973].  Ch. Wertheimer, Paris [Altena 1973]. Sold by Charles Slatkin Galleries, New York, to the Art Institute of Chicago, 1959.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, Charles Slatkin Galleries, Drawings by Old and Modern Masters, 1959, pl. VI.
  • New York, Wildenstein and Company, Master Drawings from The Art Institute of Chicago, Oct. 17–Nov. 30, 1963, n.p., cat. 27, pl. XI.
  • Poughkeepsie, N.Y., Vassar College Art Gallery, Dutch Mannerism, Apr. 15–June 7, 1970, p. 37, pl. 33, cat. 40.
  • Washington D.C., The National Gallery of Art, Seventeenth Century Dutch Drawings from American Collections, Jan. 30–Mar. 13, 1977; also the Denver Art Museum, Apr. 1–May 15, 1977; and Fort Worth, Tex., the Kimbell Art Museum, June 1–July 15, 1977, pp. 8–9, cat. 5 (ill.).
  • Rotterdam, Museum Boymans-van Beuningen, Jacques de Gheyn II Drawings, 1986, p. 67, cat. 62 (ill.); also Washington, D.C., The National Gallery of Art.
  • Rome, Galleria Nazionale d'Arte Antica, Palazzo Barberini, Claude Mellan: gli anni romani: un incisore tra Vouet e Bernini, Oct. 24, 1989–Jan. 8, 1990, cat. 32. [GRI L3]
  • Milwaukee Art Museum, Old Master Drawings from Area Collections, Apr. 18–June 29, 1997, pp. 13 and 26, pl. 12, cat. 24.
  • Art Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12–Oct. 31, 1999, no cat.
  • The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 145-46, 148 (ill.), 175, 299, cat. 46, cat. by Victoria Sancho Lobis, et. al.
  • Chicago, Newberry Libary, "Seeing Race Before Race", September 8 - December 30, 2023.

Literature

Published references

  • Harold Joachim, "Notes on Some Recently Acquired Drawings," The Art Institute of Chicago Quarterly LIII:2 (Apr. 1959), p. 22 (ill. on cover of publication).
  • Alfred Frankfurter, "Il Bon Disegno from Chicago," Art News, 62 (Nov. 1963), p.30 (ill), p. 57.
  • Harold Joachim, Art Institute of Chicago, A Quarter Century of Collecting: Drawings Given to the Art Institute of Chicago, 1944–1970, by Margaret Day Blake, Apr. 28–June 7, 1970, n.p., cat. 6 (ill.).
  • Richard Judson, The Drawings of Jacob de Gheyn (New York, 1973), vol II, p. 27, no. 105 (ill.).
  • I. Q. van Regteren Altena, Jacques de Gheyn, Three Generations (The Hague: Martinus Nijhoff, 1983), vol. II, p. 88, no. 535, p. 154, pl. 298.
  • Nathan Goldstein, The Art of Responsive Drawing, 5th ed. (Upper Saddle River, 1999), pp. 143–144 and 146, fig. 6.1.
  • Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (South Bend, Ind: University of Notre Dame Press, 2014), pp. 114, fig. 2.
  • William W. Robinson with contributions by Susan Anderson, Drawings from the Age of Bruegel, Rubens, and Rembrandt: Highlights from the Collection of the Harvard Art Museums (Cambridge: Harvard Art Museums, 2016), under cat. 39, figure 1, p. 142.

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