
Art Institute of Chicago
"Untitled"
Felix Gonzalez-Torres · 1989
Exhibitions
Exhibition history
- Brooklyn Museum of Art, Untitled. An Installation by Felix Gonzalez-Torres as Part of the Visual AIDS Program, Dec. 1, 1989–Jan. 1, 1989, artist’s statement, no cat.
- Vancouver, University of British Columbia Fine Arts Gallery, Strange Ways, Here We Come: Felix Gonzalez-Torres and Donald Moffett, Nov. 16–Dec. 10, 1990, no cat no.
- Lyon, Espace Lyonnais d’Art Contemporain, Here’s Looking at Me/À mes beaux yeux: Autoportraits contemporains, Jan. 29–Apr. 30, 1993, no cat no.
- Aspen, Tavelli Gallery, Group Show, July 15–Aug. 7, 1993, no cat.
- Los Angeles, Museum of Contemporary Art, Felix Gonzalez-Torres: Traveling, Apr. 24–June 19, 1994, not in cat; Washington, D.C., Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, June 16–Sept. 11, 1994; Renaissance Society at the University of Chicago, Sept. 25–Nov. 6, 1994 (Washington D.C. only).
- New York, Solomon R. Guggenheim Museum, Felix Gonzalez-Torres, Mar. 3–May 10, 1995, not in cat; Santiago de Compostela, Centro Galego de Arte Contemporánea, Felix Gonzalez-Torres: A Possible Landscape, Dec. 12, 1995–Mar. 3, 1996; Musée d’Art Moderne de la Ville de Paris, Felix Gonzalez-Torres: Girlfriend in a Coma, Apr. 11–June 16, 1996, (Santiago de Compostela and Paris only).
- Hannover, Sprengel Museum, Felix Gonzalez-Torres, June 1-Aug. 24, 1997, cat. 70, Kunstmuseum St. Gallen, Sept. 6-Nov. 16, 1997; Vienna, Museum Moderner Kunst Stiftung Ludwig Wien, Sept. 12-Nov. 1, 1998 (St. Gallen only).
- Casino Luxembourg, Forum d’art Contemporain, Manifesta 2: European Biennial of Contemporary Art, June 28–Oct. 11, 1998, not in cat.
- Vienna, Kunsthalle Wien, Cuba: Maps of Desire, Mar. 19–May 30, 1999, no cat. no.; Kunstraum Innsbruck, June 9–Sept. 18, 1999; Nikolaj Copenhagen Contemporary Art Center, June 18–Aug. 15, 1999.
- Bilbao, Guggenheim Museum, International Currents in Contemporary Art, July 24, 1999–Jan. 9, 2000, no cat.
- Pittsburgh, Carnegie Museum of Art, Carnegie International 1999/2000, Nov. 6, 1999–Mar. 26, 2000, no cat. no.
- London, Serpentine Gallery, Felix Gonzalez-Torres, June 1–July 16, 2000, no cat no.
Literature
Published references
- Félix González-Torres, Donald Moffett, Scott Watson, Strange Ways: Here We Come: Felix Gonzalez Torres and Donald Moffett, exh. cat. (Vancouver: Fine Arts Gallery, University of British Columbia, 1990), 30.
- Bernard Brunon, Autoportraits contemporains: here’s looking at me, exh. cat. (Lyon: ELAC, 1993), 5, 69 (color ill.), 136.
- Amanda Cruz, Russell Ferguson, ed., Susanne Ghez, Ann Goldstein, bell hooks, Joseph Kosuth, Charles Merewether, Felix Gonzalez-Torres, exh. cat. (Los Angeles: The Museum of Contemporary Art, 1994), 33.
- Nancy Spector, Felix Gonzalez-Torres, exh. cat. (New York: Harry N. Abrams and Guggenheim Museum Publications, 1995), 44, 68.
- Dietmar Elger, Felix Gonzalez-Torres, exh. cat. (Ostfildern-Ruit: Cantz, 1997), [Bd. 1] 35, 50, 52, 69 (ill.); [Bd. 2] 46 (color ill.), 165.
- Gerald Matt, Cuba: Los mapas del deseo = Landkarten der Sehnsucht = maps of desire. (Wien: Kunsthalle Wien, 1999), 148, 149.
- David Frankel and Madeleine Grynsztejn, Carnegie International 1999/2000, exh. cat. (Pittsburgh: Carnegie Museum of Art, Carnegie Institute, 1999), 111.
- Lisa G. Corrin, Felix Gonzalez-Torres, exh. cat. (London: Serpentine Gallery, 2000), 10, 24 (color ill.), 40 (color ill.), 41 (color ill.), 58 (color ill.), 82.
- Ivo Mesquita and Adriano Pedrosa, F[r]icciones: Versiones del sur, exh. cat. (Madrid: Museo Nacional Centro de Arte Reina Sofía, 2000), 178-179 (color ill.).
- James Rondeau, “Untitled,” Art Institute of Chicago Museum Studies 29, 2 (2002), 86-87 (color ill.).
- Martin Clark, Caroline Collier, and Catsou Roberts, This Storm Is What We Call Progress: Haluk Akakçe, Martin Boyce, Jyll Bradley, Matthew Buckingham, Chen Chieh-Jen, Julie Mehretu, Lee Mingwei, Felix Gonzalez-Torres, Nobuko Tsuchiya, JMW Turner, exh. cat. (Bristol: Arnolfini, 2005), 18, 38-39 (color ill.), 40 (color ill.), 59 (color ill.), 64-65 (color ill.), 74-75 (color ill.), 84-85 (color ill.), 115.
- Jane Alison, ed., Colour after Klein: Rethinking Colour in Modern And Contemporary Art
Comparables
Related holdings by the same hand

"Untitled" (Portrait of Ross in L.A.)
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"Untitled" (Last Light)
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"Untitled" (Silver Beach)
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"Untitled" (March 5th) #2
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"Untitled" (Golden)
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"Untitled" (Bloodwork—Steady Decline)
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"Untitled" (Fainted)
Art Institute of Chicago

"Untitled"
Art Institute of Chicago
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