Vase

1. With The Stradlings, New York, by May 12, 1999 [incoming receipt, RX22464, May 12, 1999; copy in curatorial object file]; sold to the Art Institute of Chicago, 1999.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, <a href="https://archive.artic.edu/apostlesbeauty/"><em>Apostles of Beauty: Arts and Crafts from Britain to Chicago</em></a>, Nov. 7, 2009–Jan. 31, 2010, cat. 110.

• Jennifer M. Downs, “‘The New Modern Feeling’: A Catalogue of the Collection,” in “Shaping the Modern: American Decorative Arts at The Art Institute of Chicago, 1917–65,” special issue, <em>Art Institute of Chicago Museum Studies</em> 27, no. 2 (2001): 27–29, cat. 4 (ill.).
• Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago, 2009), 132-133, cat. 52 (ill.).
• Judith A. Barter, ed., <Apostles of Beauty: Arts and Crafts from Britain and Chicago</em>, exh. cat. (Art Institute of Chicago, 2010), 101–2, 198, cat. 110, fig. 21 (ill.).

Ships Quilt

Art Institute of Chicago

Untitled

Art Institute of Chicago

“- Adelaide, Adelaide.. I think I can see the comet coming!!... - Oh my God... this is the end of the world.... how annoying. They promised it wouldn't come until June 13!,” plate 31 from Croquis Parisiens

Art Institute of Chicago

The Crow

Art Institute of Chicago

Krazy Kat

Art Institute of Chicago

Untitled (4.5.82)

Art Institute of Chicago

The Execution

Art Institute of Chicago

Seated Female Nude

Art Institute of Chicago

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