View on the River Roseau, Dominica

1. Emily Crane Chadbourne, Stone Ridge, New York by 1952; given to the Art Institute, 1953.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Selected Works of Eighteenth-Century French Art in the Collections of The Art Institute of Chicago, Jan. 24 – Mar. 28, 1976, cat. 22.
• New Orleans Museum of Art, Inventing Acadia: Painting and Place in Louisiana, Nov. 16, 2019 – Jan. 26, 2020, no cat. no., pl. 13.
• London, Royal Academy of Arts, Entangled Pasts, 1768–Now: Art, Colonialism and Change, Feb. 3 – Apr. 28, 2024, cat. 44.

• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Collection (Chicago: The Art Institute, 1961), 61.
• Hans Huth, "Agostino Brunias, Romano: Robert Adam's 'Bred Painter'," Connoisseur 151 (December 1962): 296, fig. 6.
• Susan Wise and Malcolm Warner, French and British Paintings from 1600 to 1800 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago: The Art Institute, 1996), 198–200, ill.
• Katie A. Pfohl, ed., Inventing Acadia : painting and place in Louisiana, exh. cat. (New Orleans: New Orleans Museum of Art, 2019), 96-97, 98-99 fig. 8, 166 pl. 13, 226.
• Sarah Lea, "Beauty and Difference: Landscape and Architecture," in Entangled Pasts, 1768–Now: Art, Colonialism and Change, exh. cat. (London: Royal Academy of Arts, 2024), 104 (detail ill.), 105, 117 cat. 44.

The Madonna with the Seven Founders of the Servite Order

Art Institute of Chicago

Triumphal Arch

Art Institute of Chicago

Mercury and the Graces

Art Institute of Chicago

Portrait of the Artist's Son, Antonio Carracci

Art Institute of Chicago

Mars Driven Away from Peace and Abundance by Minerva

Art Institute of Chicago

Foliage Ornament from Ancient Roman Church

Art Institute of Chicago

Portrait of Titian

Art Institute of Chicago

Love Conquers All

Art Institute of Chicago

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