
Art Institute of ChicagoPublic domain
Virgin and Child
Lippi-Pesellino Imitator · c. 1465
Provenance
Ownership history
- French collection or dealer [based on French customs stamp on reverse]. Barbazon Gallery [according to annotation on handlist of 1936 Arts Club exhibition; copy in curatorial file]; Joseph Winterbotham, Jr. (d. 1954), Burlington, Vermont, by 1936 [lent by him to the Arts Club 1936 as Florentine Primitive]; bequeathed to the Art Institute, 1954.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Arts Club of Chicago, Exhibition of the Joseph Winterbotham Collection, December 9–31, 1936, cat. 19.
Literature
Published references
- Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, MA: Harvard University Press, 1972), 134, 328, 571.
- Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute, 1961), 354.
- Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago: Art Institute, 1993), 135-137 (ill.).
Comparables
Related holdings by the same hand

Madonna and Child Enthroned with Two Angels
The Metropolitan Museum of Art

Madonna and Child with the Infant Saint John the Baptist and Angels
The Metropolitan Museum of Art

Medici Armorial
Art Institute of Chicago

Allegory of Venus and Cupid
Art Institute of Chicago

The Couple
Art Institute of Chicago

Paldao Ectoplastic Desk (no. 4106)
Art Institute of Chicago

Drawing for Lippy
Art Institute of Chicago

Don Quixote and the Windmills
Art Institute of Chicago
Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant