Virgin and Child with the Young Saint John the Baptist

1. Sestieri, Rome; sold to Colnaghi, London, 1962 [according to letter of January 29, 1991 from Jeremy Howard of Colnaghi in curatorial file]; purchased from Colnaghi by the Art Institute through the Charles H. and Mary F. S. Worcester Endowment, 1963.

Recorded by Art Institute of Chicago.

• The Art Institute of Chicago, The Art of the Edge: European Frames, 1300–1900, Oct. 17–Dec. 14, 1986, cat. 6.
• The Art Institute of Chicago, Bill Viola: A 25-Year Survey, October 16, 1999 – January 9, 2000, included in the gallery that held Viola’s The Greeting for the Chicago venue.

• Art Institute of Chicago Annual Report, 1962–63 (1963): 15
• John Maxon, The Art Institute of Chicago (London, 1970), 254 (ill.).
• Kurt W. Forster, “A Madonna by Maso da San Friano,” Art Institute of Chicago Museum Studies 7 (1972): 34–51, figs. 1, 4, 6, 13.
• Burton Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian paintings in American Public Collections (Cambridge, Mass., 1972), 168, 336, 571.
• Cecil Gould, National Gallery Catalogues: The Sixteenth-Century Italian Schools (London, 1975), 87.
• Valentino Pace, “Maso da San Friano,” Bollettino d’Arte 61 (1976), 91.
• Anna Matteloi, “Una S. Famiglia di Maso da San Friano,” Mitteilungen des Kunsthistorischen Institutes in Florenz 29 (1985), 394.
• Christopher Lloyd, Italian Paintings Before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), 202–5, ill.
• Phillippe Costamagna, Pontormo (Milan: Electa, 1994), 11, 301, no. A66.1.
• Frank Zuccari, “Conservations of Italian Paintings in Chicago” in Early Italian Paintings: Approaches to Conservation. Proceedings of a Symposium at the Yale University Art Gallery, April 2002, ed. by Patricia Sherwin Garland (New Haven and London, 2003), 254–5, figs. 18.4 and 5.
• Janet Cox-Rearick, “A Bronzino Discovery,” Apollo (April 2004): 13 fig. 3

Academic Male Nude

Art Institute of Chicago

The Circle of the Thieves; Agnolo Brunelleschi Attacked by a Six-Footed Serpent. Inferno, canto XXV

Art Institute of Chicago

The Nativity

Art Institute of Chicago

The Annunciation

Art Institute of Chicago

Male Nude Tied to Tree

Art Institute of Chicago

Angel Playing a Flute

Art Institute of Chicago

Inferno According to Dante

Art Institute of Chicago

Nude Warriors

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.