Woman at Her Toilette

1. William Merritt Chase, New York; his sale, New York, American Art Galleries, 1896, lot 1093 [according to Clairet 1997]. Mary Cassatt, 1896 [see Paris 1896]. Durand-Ruel, Paris, 1905 [see London 1905]. Wildenstein & Co., New York [according to Chicago 1933]. Paul Rosenberg, New York by 1924; sold to the Art Institute, 1924.

Recorded by Art Institute of Chicago.

• Possibly Paris, 2éme Exposition de Peinture (1), Apr. 1876. [see D. Rouart, Correspondence de Berthe Morisot (Paris, 1950), pp. 98, 257]
• Paris, 5me Expostition de Peinture, 1880, cat. 115.
• Paris, Durand-Ruel, Berthe Morisot, Exposition de son oeuvre, Mar. 1896, cat. 68.
• London, Durand-Ruel at the Grafton Galleries, A Selection From the Pictures by Boudin, Cézanne, Degas, Manet, Monet, Morisot, Pissarro, Renoir, Sisley, cat. 162 (ill.).
• Pittsburgh, Penn., Carnegie Institute, Exhibition of Paintings Édouard Manet, Pierre Renoir, Berthe Morisot, Oct.-Dec. 1924, cat. 29 (ill.).
• The Arts Club of Chicago, Exhibitions of Paintings of Three Woman Painters, Nov. 1931, not listed in cat.
• The Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1-Nov. 1, 1933, cat. 334 (ill.).
• The Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1-Nov. 1, 1934, cat. 257.
• The Toledo Museum of Art, French Impressionists and Post-Impressionists, Nov. 1934, cat. 11.
• New York, The Metropolitan Museum of Art, French Painting from David to Toulouse-Lautrec, Feb.-Mar. 1941, cat. 95 (ill.).
• The Arts Club of Chicago, Berthe Morisot, Mar.-Apr. 1943, cat. 1.
• New York, Wildenstien and Co., Berthe Morisot, Nov.-Dec. 10, 1960, cat. 12 (ill.).

• W. Dewhurst, “Impressionist Painting: Its Genesis and Development,” International Studio 19 (May, 1903), pp. 165, 168 (ill.).
• Roger Marx, “Les Femmes Peintres et l’impressionisme, Berthe Morisot,” Gazette des Beaux-Arts, per. 3, vol. 38 (December 1907), pp. 497 (ill.), 498.
• The Art Institute of Chicago Annual Report 1924 (Chicago, 1924), ill.
• R.M.F., “ A Painting by Berthe Morisot,” The Art Institute of Chicago Bulletin 18 (1924), pp. 50, 51, (ill.)
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, (Chicago, 1925), p. 65 (ill.).
• Monique Angoulvent, Berthe Morisot (Paris, 1931), pp. 55, 121, no. 83.
• The Art Institute of Chicago, Handbook (Chicago, 1932), pp. 62, ill. 164.
• D.C. Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon 11 (March 1933), pp. 77 (ill.),78.
• Lionello Venturi, Les Archives de l’impressionisme vol. 2 (Paris, 1939), p. 257.
• Hans Huth, “Impressionism Comes to America,” Gazette des Beaux-Arts, sér. 6, vol. 29 (April, 1946), pp. 225-252, fig. 17.
• The Art Institute of Chicago, A Brief Guide to the Collections (Chicago, 1956), p. 34.
• The Art Institute of Chicago, Paintings in the Art Institute, A Catalogue of the Picture Collection (Chicago, 1961), pp. 340, ill. p. 288.

On the Balcony

Art Institute of Chicago

Woman in a Garden

Art Institute of Chicago

Young Girl with Hat

Art Institute of Chicago

Forêt de Compiègne

Art Institute of Chicago

Jeanne Pontillon

Art Institute of Chicago

Girl Plaiting her Hair (La Natte)

Art Institute of Chicago

Self-Portrait

Art Institute of Chicago

Nude Seen from Behind

Art Institute of Chicago

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