Woman (Elevation)

1. The artist, New York; by descent to his widow, Isabel Dutaud Nagle Lachaise (1872–1957), New York, 1935; sold to the Art Institute of Chicago, 1943.

Recorded by Art Institute of Chicago.

• New York, The Brummer Gallery, Lachaise, Feb. 27–Mar. 24, 1928, cat. 5.
• Art Institute of Chicago, <a href="https://www.artic.edu/exhibitions/4071/two-centuries-of-american-art-1750-1950"><em>Two Centuries of American Art, 1750-1950</em></a>, Oct. 1, 1959–Jan. 10, 1960, no cat. [downloadable checklist available].

• Katharine Kuh, “Lachaise: Sculptor of Maturity,” Bulletin of The Art Institute of Chicago 40, 3 (Mar. 1946), 31, ill.
• Hilton Kramer, The Sculpture of Gaston Lachaise (Eakins Press, 1967), 11.
• Gerald Norland, Gaston Lachaise: The Man and His Work (George Braziller, 1974), 74.
• Sam Hunter, Lachaise (Cross River Press, 1993), 23–25.
• Otto G. Ocvirk and Robert E. Stinson, et al., Art Fundamentals, 7th edition (William C. Brown, 1994), 260, ill.
• Art Institute of Chicago, Twentieth–Century Painting and Sculpture, selected by James N. Wood and Teri J. Eldelstein (Art Institute of Chicago/Hudson Hills Press, 1996), 32.
• Virginia Budny, “Gaston Lachaise’s American Venus: The Genesis and Evolution of Elevation,” American Art Journal 34 & 35 (2003–2004), 64, fig. 1.
• Judith A. Barter, et al., <em>American Modernism at the Art Institute of Chicago, From World War I to 1955</em> (Art Institute of Chicago, 2009), 49–52, cat. 5 (ill.).

Acrobat

Art Institute of Chicago

Nude

Art Institute of Chicago

Torso

Art Institute of Chicago

Carl Van Vechten

Art Institute of Chicago

Gaston Lachaise

Art Institute of Chicago

Pardon in Brittany

Art Institute of Chicago

Plate from l'Assommoir (two women fighting, with onlookers)

Art Institute of Chicago

Portrait of an Old Fisherman

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.