Woman

1. Pierre Matisse Gallery, New York, by 1958. Harold and Mary Weinstein, Chicago, by 1961; sold to Lindy and Edwin Bergman, Chicago, 1967; given to the Art Institute of Chicago, 2018.

Recorded by Art Institute of Chicago.

• Possibly New York, Pierre Matisse Gallery, "Miró: Paintings, Gouaches," 1941, cat. 23.
• Possibly New York, Pierre Matisse Gallery, "Miró," 1942, cat. 19, 20, 21 or 22, as Pastel.
• New York, Pierre Matisse Gallery, "Miró: Peintures Sauvages, 1934 to 1953," 1958, cat. 2 (ill.).
• Art Institute of Chicago, "Treasures of Chicago Collectors," 1961, n.p.
• New York, Acquavella Galleries, Inc., "Joan Miró," 1972, cat. 25 (ill.).
• Saint Louis, Washington University Gallery of Art, "Joan Miró: The Development of a Sign Language," 1980, pp. 36, 66, fig. 28; shown only in Chicago.
• Chicago, Museum of Contemporary Art, "Dada and Surrealism in Chicago Collections," 1984–1985, p. 199 and pl. 45.
• Art Institute of Chicago, "A Tribute to Edwin A. Bergman (1917–1986): Selections from the Lindy and Edwin Bergman Collection," 1986, pamphlet no. 45.
• New York, Solomon R. Guggenheim Museum, "Joan Miró: A Retrospective," 1987, cat. 78 (ill.) and p. 153.

• Dawn Ades, with Margherita Andreotti and Adam Jolles, Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1997), pp. 205–06, cat. 101 (color ill.).

Ciphers and Constellations in Love with a Woman

Art Institute of Chicago

The Policeman

Art Institute of Chicago

Painting (Figures with Stars)

Art Institute of Chicago

The Kerosene Lamp

Art Institute of Chicago

Painting (The Circus Horse)

Art Institute of Chicago

Portrait of Joaneta Obrador

Art Institute of Chicago

Painting

Art Institute of Chicago

The Two Philosophers

Art Institute of Chicago

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