Women of the Ouled Nayls by Eugène Fromentin
Art Institute of ChicagoPublic domain

Women of the Ouled Nayls

Eugène Fromentin · 1867

Provenance

Ownership history

  1. Collection of the artist, 1867 [lent by him to Paris 1867]. Possibly Durand-Ruel, 1867 [see catalogue of Albert Spencer sale, cited below]. Marmontel; his sale Hôtel Drouot, Paris, May 11–12, 1868, lot 36 as “Femmes des Ouled-Nayls (Sahara)” for 9,400 francs [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Edward Matthews, New York [see Spencer sale cited below]; sold to Albert Spencer, New York, by 1888; his sale Fifth Avenue Galleries, New York, February 28, 1888, lot 65 for $6,400 [price according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]. Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Paris, Salon de 1867, 1867, no. 619.
  • Chicago, World’s Columbian Exposition: Department of Fine Arts, 1893, no. 3097.
  • Providence, Rhode Island School of Design, French Painting in Africa, April 1935, no cat.

Literature

Published references

  • Louis Gonse, Eugène Fromentin: peintre et écrivain (Paris: A. Quantin, 1881), pp. 29, 82.
  • Walter Rowlands, “Art Sales in America,” Art News 40 (1888), p. 318.
  • “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
  • “Gives Her Pictures: Mrs. Henry Field Donates a Collection to the Art Institute,” Chicago Daily Tribune (June 4, 1893), p. 10.
  • Roger Riordan, “The World’s Fair Loan Exhibition: Contemporary Painting,” The Art Amateur 30, 5 (1894), p. 130.
  • “The Henry Field Memorial Collection,” The Art Amateur 31, 6 (1894), p. 115.
  • “The Art Institute of Chicago,” The Art Amateur 32, 1 (1894), p. 19.
  • Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37.
  • Art Institute of Chicago, Catalogue of Objects in the Museum, pt. 1 (Chicago: Art Institute of Chicago, 1896), p. 73, no. 28.
  • American Art Annual 1898 1 (1899), p. 140, no. 28.
  • Frederick Clifton Pierce, Field Genealogy (Chicago: Hammond Press, 1901), p. 712.
  • Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 161, no. 128.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

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