Wooded Landscape with Donkeys and Goats, and Castle on Hill in Distance

1. Joseph van Haecken (c. 1699–1749), London [stamp (Lugt 2516), recto, lower left, in black].  John Jacob Lindman (1854–1926), Chicago [stamp (Lugt 1479a), recto, lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center, in black].

Recorded by Art Institute of Chicago.

• Berlin, Staatliche Museen Preussicher Kulturbesitz, Pieter Bruegel d. Ä. Als Zeichner,  Sept. 19–Nov. 16, 1975, cat. 46, pp. 46–7, pl. 77, (as after Pieter Bruegel).
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 226-27, 229 (ill.), 291-92, cat. 80, cat. by Victoria Sancho Lobis, et. al.

• Karl Arndt, “Pieter Bruegel d. Ä. Als Vorläufer Coninxloos,” Bermerkungen zur Geschichte der Waldlandschaft,” Kunstgeschichtliche Gesellschaft zu Berlin, Sitzungsberichte N.F. 14 (1965/66), p. 10, no. 5a.
• Frits Lugt, Musée du Louvre, Inventaire Général des Dessins des Ecoles du Nord (Maîtres des Anciens Pays-Bas nés avant 1550) (Paris, 1968), p. 83, under no. 333.
• Karl Arndt, “Pieter Bruegel d. Ä. und die Geschichte der ‘Waldlandschaft’” Jahrbuch der Berliner Museen 14 (1972), p. 101–103 (ill), no. K3a  (as copy after Pieter Bruegel the Elder).
• Matthias Winner, “Neubestimmtes und Unbestimmtes in zeichnerischen Werk von Jan Breughel d. Ä.,” Jahrbuch der Berliner Museen XIV (1972), p. 139–140 (as after Jan Bruegel the Elder).
• Hans Mielke, Pieter Bruegel: Die Zeichnungen, Pictura Nova 2 (Turnhout: Brepols, 1996), no. 20, p. 42 (ill. P. 139).
• Teréz Gerszi with the assistance of Bernadett Tóth, The New Ideal of Beauty in the Age of Pieter Bruegel: Sixteenth-Century Netherlandish Drawings in the Museum of Fine Arts, Budapest (Budapest: Szépmu”vészeti Múzeum, 2012), under cat. No. 28, p. 78 (ill) (as after Pieter Bruegel the Elder).
• Louisa Wood Ruby, “Bruegel/Brueghel/Bril: The ‘Lugt Group’ Revisited,” Master Drawings 50, no. 3, p. 359–60 (ill) (as copy after Pieter Bruegel the Elder).

Landscape with Hunters

Art Institute of Chicago

View of City with Fishing Boat in Foreground

Art Institute of Chicago

Temple of Vesta, Tivoli

Art Institute of Chicago

Mountain Landscape with a River, Travelers, and a City

Art Institute of Chicago

Mountain Landscape with a River and City

Art Institute of Chicago

Cattle Drinking

Art Institute of Chicago

Fairy Castle in Landscape

Art Institute of Chicago

Large Ruined Portico or Corridor (recto); Sketches of a Draped Figure and Architecture (verso)

Art Institute of Chicago

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