Yellow Dancers (In the Wings)

1. Shipped by the artist to the art dealer, Charles W. Deschamps, London, around May 15, 1876 [see letter of May 15, 1876 from Degas to Deschamps, Collection Frits Lugt, Institut Néerlandais, Paris, published in Reff 1968]. James Staats Forbes, London; sold to Goupil et Cie, Paris on July 25, 1891 [see Goupil-Boussod & Valadon Successeurs Ledgers, cited in John Rewald 1973]; sold to Potter Palmer (died 1902), Chicago on September 18, 1891 [see Goupil Ledgers citied above]; by descent in the Palmer family; given to the Art Institute, 1963.

Recorded by Art Institute of Chicago.

• Paris, Second Impressionist Exhibition, April 1876, cat. 47.
• The Art Institute of Chicago, A Century of Progress, Exhibition of Painting and Sculpture, June 1–November 1, 1933, cat. 283.
• Northampton, Mass., The Smith College Museum of Art, Edgar Degas: Paintings, Drawings, Pastels, Sculpture, November 28–December 18, 1933, cat. 2.
• Springfield, Mass., Springfield Museum of Fine Arts, From David to Cézanne: Paintings and Drawings, February 9–March 10, 1935, cat. 12.
• New York, Metropolitan Museum of Art, French Painting from David to Toulouse-Lautrec: Loans from French and American Museums and Collections, February 6–March 26, 1941, cat. 40 (ill.).
• The Cleveland Museum of Art, Works By Edgar Degas, February 5–March 9, 1947, cat. 33.
• Albi, Musée Toulouse-Lautrec, Trésors Impressionnistes du Musée de Chicago, June 27–August 31, 1980, cat. 7.
• The Art Institute of Chicago, Degas in The Art Institute of Chicago, July 19–September 23, 1984, cat. 22 (ill.).
• Tokyo, Seibu Museum of Art, The Impressionist Tradition: Masterpieces from The Art Institute of Chicago, October 18–December 17, 1985, cat. 30; traveled to Fukuoka, Art Museum, January 5–February 2, 1986 and Kyoto, Municipal Museum of Art, March 4–April 13, 1986.
• Leningrad [St. Petersburg], Hermitage Museum, Ot Delakrua do Matissa: shedevry frantsuzskoĭ zhivopici XIX-nachala XX veka, iz Muieia Metropoliten v Niu-Ĭorke i Khudozhestvennogo Instituta v Chikago [From Delacroix to Matisse: Great Paintings From the XIX century to the Beginning of the XXth century From Metropolitan Museum of Art in New York and the Art Institute of Chicago], March 15-May 19, 1988, cat. 6; Moscow, Pushkin Museum, June 10-July 30, 1988.
• Detroit Institute of Arts, Degas and the Dance, October18–January 12, 2003, cat. 76 (ill.); traveled to Philadelphia, Museum of Art, February16–May 11, 2003.
• London, Tate Britain, Degas, Sickert and Toulouse-Lautrec: London and Paris 1870-1910, October 5, 2005-January 15, 2006, cat. 26 (ill.), traveled to Washington, DC, The Phillips Collection, February 18-May 14, 2006, shown in London only.

• Emile Porcheron, “Promenades d’un flâneur: Les Impressionnistes,” Le Soleil (April 4, 1876), pp. 2-3, reprinted in Ruth Berson, The New Painting: Impressionism 1874–1886: Documentation vol. I (San Francisco, 1996), pp. 102-103.
• Armand Silvestre, “Exposition de la rue Le Peletier,” L’Opinion nationale, April 2, 1876, p. 3, reprinted in Ruth Berson, The New Painting: Impressionism 1874–1886: Documentation vol. I (San Francisco, 1996), pp. 109-110.
• J.-K. Huysmans, “L’Exposition des Indépendants en 1880,” in L’Art Moderne (Paris, 1883), p. 127.
• J. B. Manson, The Life and Work of Edgar Degas (London, 1927), p. 47.
• George Slocombe, “The Artist as Misanthrope,” Coronet (April 1938), p. 20 (ill.).
• Paul André Lemoisne, Degas et son oeuvre vol. 2 (Paris, 1946-49), no. 512.
• Theodore Reff, “Some Unpublished Letters of Degas,” Art Bulletin, 50, 1 (March 1968), p. 90.
• William Gaunt, Impressionism: A Visual History (New York, 1970), p. 224.
• John Maxon, The Art Institute of Chicago (New York, 1970), pp. 88-89 (ill).
• Franco Russoli, L’Opera completa di Degas (Milan, 1970), no. 726.
• John Rewald, “Theo van Gogh, Goupil, and the Impressionists,” Gazette des Beaux-Arts, (February 1973), p. 88, fig. 35.
• George T. Shackelford, Degas: The Dancers, exh. cat. (National Gallery of Art, Washington, 1984), pp. 111-112, pg. 113, fig. 5.1.

The Rehearsal of the Ballet Onstage

The Metropolitan Museum of Art

Sulking

The Metropolitan Museum of Art

Dancers Practicing at the Barre

The Metropolitan Museum of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)

The Metropolitan Museum of Art

The Collector of Prints

The Metropolitan Museum of Art

The Ballet from "Robert le Diable"

The Metropolitan Museum of Art

The Artist's Cousin, Probably Mrs. William Bell (Mathilde Musson, 1841–1878)

The Metropolitan Museum of Art

The Rehearsal Onstage

The Metropolitan Museum of Art

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