At the Moulin Rouge

1. Maurice Joyant, executor of the artist's estate and co-director of Galerie Manzi-Joyant, Paris, by 1902 [according to Heller 1986]; sold to Manzi [according to Dortu 1971 and Heller 1986]. Jean Laroche, Paris, 1926. Paul Rosenberg [according to Dortu 1971]. Mssrs. Reid & Lefevre, London, June 1928. Frederick Clay Bartlett, Chicago; given to the Art Institute, 1928.

Recorded by Art Institute of Chicago.

• Possibly, Paris, Les XX, January 1892, as Nocturne [see Murray 1980].
• Paris, Boussod et Valadon, 1893 [according to Toulouse-Lautrec 1991-92].
• Paris, Le Barc de Boutteville, 7e Exposition des peintures impressionnists et symbolists, July 1894, cat. 84, as Un Coin du Moulin Rouge.
• Paris, Salon des Indépendants (March 29-May 5, 1902), not in catalogue [see Heller 1986].
• Paris, Galerie Manzi-Joyant, Exposition Retrospective de l’Oeuvre de H. de Toulouse-Lautrec, June-July 1914, cat. 32.
• Paris, Galeries Paul Rosenberg, Exposition d’oeuvres de Toulouse-Lautrec, 1914, cat. 19.
• Barcelona, Palacio de Bellas Artes, Salon des Artistes Français, 1917, cat. 2038.
• The Arts Club of Chicago, Catalogue of an Exhibition of Paintings by Henri de Toulouse-Lautrec, December 1924-January 1925, cat. 7.
• Paris, Grand Palais, Trente ans d’Art Indépendant, 1926, cat. 3253.
• Amsterdam, Stedelijk Museum, Cent Ans de Peinture Française, April-May 1928.
• New York, M. Knoedler & Co., A Century of French Painting, 1928, cat. 34 (ill.).
• Art Institute of Chicago, Loan Exhibition of Paintings, Drawings, Prints and Posters by Henri de Toulouse-Lautrec, December 23, 1930-January 18, 1931, cat. 19 (ill).

• A. Alexandre, Le Figaro Illustré 22 (April 1902), pl. 21, no. 145.
• G. Geffroy, “Henri de Toulouse-Lautrec,” Gazette des Beaux-Arts 12 (1916), p. 100 (ill.).
• G. Coquiot, Lautrec (Paris, 1921), p. 109.
• Achille Astre, H. de Toulouse-Lautrec (Nilsson, 1925), p. 75.
• H. E. Schnackenberg, “New York Exhibitions,” The Arts 7 (1925), p. 159 (ill.).
• Maurice Joyant, Henri de Toulouse-Lautrec, Peintre (Paris, 1926), vol. I, pp. 137-138 (ill.), 275, vol. II, p. 7 (ill.), 247.
• Maurice Joyant, “Toulouse-Lautrec,” L’Art et les Artistes 14 (1927), pp. 159-160.
• Art Institute of Chicago, Annual Report (1928), ill.
• François Fosca, Lautrec, Les Albums d’Art Druet (1928), p. 1, ill.
• Morton Dauwen Zabel, “An American Gallery of Modern Painting,” Art and Archaeology 26 (December 1928), p. 236, ill.
• Paul de Lapparent, Toulouse-Lautrec, Masters of Modern Art (New York, 1928), pp. 27-29, pl. 8.
• Art News 26 (June 16, 1928), pp. 1-2.

Old Man and Young Girl

Art Institute of Chicago

Equestrienne (At the Cirque Fernando)

Art Institute of Chicago

Moulin de la Galette

Art Institute of Chicago

Ballet Dancers

Art Institute of Chicago

At the Concert

Art Institute of Chicago

The Little Errand Girl

Art Institute of Chicago

Taking a Bow, plate eight from Yvette Guilbert

Art Institute of Chicago

Le Tocsin

Art Institute of Chicago

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