Equestrienne (At the Cirque Fernando)

1. Joseph Oller, Paris, 1888 (bought for his café concert, Le Moulin Rouge) until 1914 [see Paris, Paul Rosenberg 1914]. Baron LaFaurie, Paris, by 1914 [see Paris, Manzi Joyant, 1914]. Paul Rosenberg & Co., Paris by 1924 [see Paris 1924]. Joseph Winterbotham, Chicago, by 1924; given to the Art Institute of Chicago, 1925.

Recorded by Art Institute of Chicago.

• Possibly Brussels, Cinquieme Exposition des XX, 1888, cat. 11, as Ecquyère.
• Paris, Moulin Rouge, Exposition Permanente, beginning in 1888.
• Paris, Musée des Arts Decoratifs, Peintures et Lithographies originales de H. de Toulouse Lautrec 1864-1901, January 24-February 20, 1910, cat. 4.
• Paris, Galeries Paul Rosenberg, Exposition d’Oeuvres de Toulouse-Lautrec, January 20-February 3, 1914, p. 8 cat. 20 as Monsieur Loyal, collection de M. Oller.
• Paris, Galerie Manzi-Joyant, Exposition Rétrospective de L’Oeuvre de H. de Toulouse-Lautrec 1864-1901, June 15-July 11, 1914, p. 12 cat. 45 as Au Cirque. – M. Loyal, collection de M. le Baron Lafaurie.
• Chicago, Art Institute, Arts Club, Catalogue of an Exhibition of Paintings by Henri de Toulouse-Lautrec, December 23, 1924-January 25, 1925, cat. 10 as Le Cirque (portrait de Monsieur Loyal).
• Cambridge, Harvard University, Fogg Art Museum, Exhibition of French Painting of the Nineteenth and Twentieth Centuries, March 6-April 6, 1929, p. 20 cat. 87, pl. 45 as The Circus.
• Chicago, Art Institute, Loan Exhibition of Paintings, Drawings, Prints and Posters by Henri de Toulouse-Lautrec 1930-1931, pp. 15, 57 cat. 7, (ill.) as At The Circus Fernando. The Ring-Master.
• New York, Museum of Modern Art, Tenth Loan Exhibition: Lautrec, Redon, February 1–March 2, 1931, pp. 6, 14 cat. 7 (ill.) as At the Circus Fernando. The Ring Master, 1888.
• Paris, Musée des Arts Décoratifs, Exposition H. de Toulouse-Lautrec au profit de la Société des Amis du Musée d’Albi, April 9–May 17, 1931, p. 14 cat. 52 pl. 2 (ill.) as Au Cirque Fernando: L’Écuyère, around 1887.
• New York, Albright Art Gallery, 19th Century French Art in Retrospective, 1931, cat. 59.
• Toronto, Art Gallery, Exhibition, December 1932-February 1933.

• Fénéon, La Vogue, September 1889 (Fénéon 1970, I, p. 168).
• G. A[lbert] A[urier], “Choses d’art,” Mercure de France 2 (January, 1891), p. 62.
• Gustave Geffroy, “Exposition Toulouse-Lautrec,” La Justice, February 15, 1893.
• Gustave Coquiot, “Henri de Toulouse-Lautrec,” L’Art et les Artistes 19 (1914), p. 133 (ill.) as Le Cirque.
• Gustave Coquiot, Lautrec, ou Quinze Ans de Moeurs Parisiennes, 1885-1900 (Paris, 1921), pp. 102, 137 as L’écuyère au Cirque Fernando.
• “A Ticket for the Moulin Rouge,” International Studio 77, 34 (July 1923), p. 300 (ill.) as M. Loyal and the Cirque Fernando.
• Gustave Coquiot, Toulouse-Lautrec (Berlin, 1923), trans. by Carl Einstein, pp. 57, 60 pl. 46 (ill.) as Kunstreiterin im Zirkus Fernando.
• The Arts 7, 1 (January 1925), p. 37 (ill.) as La Piste.
• F., “A Painting by Toulouse-Lautrec,” The Art Institute of Chicago Bulletin 19, 1 (January 1925), pp. 94-95 (ill.) as The Circus.
• “Chicago Institute Buys a Striking Work by Toulouse-Lautrec,” The Art News 24, 8 (November 28, 1925), p. 4 (ill.) as The Circus.
• Achille Astre, H. de Toulouse-Lautrec (Nilsson, 1925), p. 43.
• Maurice Joyant, Henri de Toulouse-Lautrec, Peintre (Paris, 1926), vol. 1, pp. 128, 265, (ill. p. 162), vol. 2, p. 40 as Le Cirque.

At the Moulin Rouge

Art Institute of Chicago

Old Man and Young Girl

Art Institute of Chicago

Moulin de la Galette

Art Institute of Chicago

Ballet Dancers

Art Institute of Chicago

At the Concert

Art Institute of Chicago

The Little Errand Girl

Art Institute of Chicago

Taking a Bow, plate eight from Yvette Guilbert

Art Institute of Chicago

Le Tocsin

Art Institute of Chicago

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