Cimon and Pero

1. Sold, Puttick and Simpson, London, Aug. 6–7, 1914, possibly lot 429, as by Rembrandt, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, lower center, in black also verso of mount, center, in black].

Recorded by Art Institute of Chicago.

• Milwaukee Art Museum, Rembrandt’s Students: Govaert Flinck, Mar. 28–June 23, 1991.
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 153 (ill.), 155, 296, cat. 52, cat. by Victoria Sancho Lobis, et. al.

• J.W. von Moltke, “Catalogue of Wrongly Attributed Paintings & Drawings,” Govaert Flinck 1615–1660 (Amsterdam: Menno Hertzberger & Co., 1965), cat. 185, p. 264 (ill.).

Bearded Man with a Velvet Cap

The Metropolitan Museum of Art

A Woman Asleep (recto); Landscape Composition with Well-Sweep (verso)

The Metropolitan Museum of Art

Herman Doomer (ca. 1595–1650)

The Metropolitan Museum of Art

Old Woman in an Armchair

The Metropolitan Museum of Art

Joseph Interpreting the Prisoners' Dreams

Art Institute of Chicago

Saint Paul the Apostle

Art Institute of Chicago

Expulsion of Hagar

Art Institute of Chicago

The Degradation of Haman before Ahasuerus and Esther

Art Institute of Chicago

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