Dead Fowl

1. Madame Juliette Guillaume, Paris, by May 10, 1937 [this and the following according to Valentine Gallery sales records, May 1937 and email from Julia May Boddewyn, June 18, 2007, copies in curatorial file]; sold through Valentine Gallery, New York to the Art Institute of Chicago, May 10, 1937.

Recorded by Art Institute of Chicago.

• New York, Valentine Gallery, Paintings by Soutine, February 3–22, 1936, n.p., cat. 12, as Le Dandon, n.d.
• Palm Beach, FL., Society of the Four Arts, February 16–March 9, 1944.
• The Art Institute of Chicago, The Winterbotham Collection, May 23–June 22, 1947, p. 39, as Dead Fowl, 1926 or 1927.
• New York, Museum of Modern Art, Soutine, October 31, 1950–January 7, 1951, pp. 71 (ill.) and 113, as Rooster, c. 1926; traveled to the Cleveland Museum of Art, January 30–March 18, 1951.
• Milwaukee, Jewish Community Center, Dedication Exhibition: Twentieth Century Art by Jewish Artists, January 30–February 20, 1955, n.p., cat. 59, as Dead Fowl, n.d.
• Chicago, Arts Club, Chaim Soutine: Paintings, October 1–31, 1956, n.p., cat. 46, as Dead Fowl, 1926 or 1927.
• Paris, Orangerie des Tuileries, Soutine, April 27–September 17, 1973, pp. 6 and 29, cat. 24 (ill.), as Le dindon, 1924.
• Munster, Germany, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Chaim Soutine, 1893-1943, December 13, 1981–February 28, 1982, pp. 208 and 246, cat. 65 (ill.), as Gerupfter Truthahn, 1926; traveled to Tübingen, Kunsthalle, March 26–May 31, 1982, London, Hayward Gallery, July 14–August 22, 1982, and Lucerne, Kunstmuseum, August 31– October 31, 1982.
• Osaka, Japan, Ōsaka Shiritsu Bijutsuka, Exposition Yuzo Saheki et les peintres de l'École de Paris, August 12–September 24, 1989, n.p., cat. 137 (ill.), as Dinde plumée et pendue devant une table, 1926; traveled to the Hiroshima Bijutsukan, September 25–November 3, 1989, and Yokohama, Sogō Bijutsukan, November 15–December 18, 1989.
• Chicago, Arts Club, The Arts Club of Chicago: Seventy-Fifth Anniversary Exhibition, May 11–June 26, 1992, p. 57 (ill.), as Dead Fowl, 1926.
• Art Institute and Asahi Shimbun (organizers), Masterworks of Modern Art from The Art Institute of Chicago, pp. 112, cat. 32, 113 (ill.), as Dead Fowl, 1926; traveled to Nagaoka, Niigata Prefectural Museum of Modern Art, April 20–May 29, 1994; Nagoya, Aichi Prefectural Museum of Art, June 10–July 24, 1994; and Yokohama Museum of Art, August 6–September 25, 1994.
• New York, Jewish Museum, Chaim Soutine: Flesh, May 4–September 16, 2018.

• Elie Faure, Soutine (Paris: Les Éditions G. Crès, 1929), pl. 14, as Le Dindon, 1924.
• Valentine Gallery, Paintings by Soutine, exh. cat. (New York: Valentine Gallery, 1936), n.p., cat. 12, as Le Dandon, n.d.
• The Art Institute of Chicago, The Winterbotham Collection, exh. cat. (Chicago: The Art Institute of Chicago, 1947), p. 39, as Dead Fowl, 1926 or 1927.
• Monroe Wheeler, Soutine, exh. cat. (New York: Museum of Modern Art, 1950), pp. 71 (ill.) and 113, as Rooster, c. 1926.
• Jack Tworkov, “ The Wandering Soutine,” Art News XLIX:7, part 1 (November 1950), p. 33 (ill.), as Rooster, 1926.
• Margaret Breuning, “The Cataclysmic World of Chaim Soutine,” Art Digest 25:4 (November 15, 1950), p. 11, as Rooster.
• Jewish Community Center, Dedication Exhibition: Twentieth Century Art by Jewish Artists, exh. cat. (Milwaukee: Jewish Community Center, 1955), n.p., cat. 59, as Dead Fowl, n.d.
• Arts Club, Chaim Soutine: Paintings, exh. cat. (Chicago: Arts Club, 1956), n.p., cat. 46, as Dead Fowl, 1926 or 1927.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: The Art Institute of Chicago, 1961), p. 421, as Dead Fowl, c. 1926.
• The Arts Council of Great Britain, Chaim Soutine, 1893-1943, exh. cat. (London: The Arts Council of Great Britain, 1963), p. 23.
• Edward Barry, “A Legacy that Grows—Winterbotham Collection,” The Chicago Tribune (August 25, 1963).
• Renata Negri, Chaim Soutine (Pinacoteca de los genios: La más grandiosa colección de arte del mundo) (Buenos Aires: Editorial Codex, 1965), n.p., pl. X–XI, as El Gallo, 1926.

Landscape at Cagnes

Art Institute of Chicago

Tumblers

Art Institute of Chicago

Untitled

Art Institute of Chicago

Chaim and Renée Gross, New York City

Art Institute of Chicago

Seated Figure

Art Institute of Chicago

Rabbi Chaim Adelman at Eratz HaChaim, Sunderland, Massachusetts, from the series "Sweet Earth: Experimental Utopias in America"

Art Institute of Chicago

Untitled

Art Institute of Chicago

Self-Portrait

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.