Landscape at Cagnes

1. The artist, Paris; sold to Hugues Simon, Paris and later London [this and the following according to a July 26, 1938 letter from John Kraushaar to Charles H. Worcester, in curatorial object file]; with Leicester Galleries, London, by 1928; C. W. Kraushaar Galleries, New York, 1928 [New York 1928]; sold to Charles H. Worcester (1864–1956), Chicago, Apr. 30, 1938 [receipt in curatorial object file]; given to the Art Institute of Chicago, 1947.

Recorded by Art Institute of Chicago.

• New York, C. W. Kraushaar Art Galleries, Exhibition of Modern French Paintings, Water Colors, and Drawings, Oct. 1–18, 1928, cat. 21, as Landscape, n.d.
• New York, C. W. Kraushaar Art Galleries, Oct. 11–Nov. 5, 1932, cat. 7, as Landscape, n.d.
• Arts Club of Chicago, Loan Exhibition of Modern Paintings and Drawings from Collections in Chicago, Nov. 4–25, 1938, cat. 139, as Landscape, n.d.
• Chartres, France, Musée des Beaux-Arts de Chartes, Soutine, June 29–Oct. 30, 1989, cat. 25, as Paysage de Cagnes, 1923.
• Portland, Maine, Portland Museum of Art, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, June 25–Oct. 18, 1998, cat. 66, as Landscape at Cagnes, c. 1923.

• C. W. Kraushaar Art Galleries, Exhibition of Modern French Paintings, Water Colors, and Drawings, exh. cat. (New York: C. W. Kraushaar Art Galleries, 1928), n.p., cat. 21 (ill.), as Landscape, n.d.
• C. W. Kraushaar Art Galleries, Paintings, Watercolors, and Drawings by Various Artists, exh. cat. (New York: C. W. Kraushaar Art Galleries, 1932), n.p., cat. 7, as Landscape, n.d.
• Maurice Sachs, “Soutine,” Creative Art 11, 4 (December 1932), p. 278 (ill.), as Landscape, n.d.
• Arts Club of Chicago, Loan Exhibition of Modern Paintings and Drawings from Collections in Chicago, exh. cat. (Chicago: Arts Club of Chicago, 1938), n.p., cat. 139, as Landscape, n.d.
• C. J. Bulliet, “Worcester’s Generosity,” Art Digest 21, 13 (1947), p. 14, as Landscape, n.d.
• The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: The Art Institute of Chicago, 1961), p. 421, as Landscape at Cagnes, c. 1923.
• A. James Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, 55 (1966), p. 225.
• A. James Speyer and Courtney Graham Donnell, Twentieth Century European Paintings (Chicago: University of Chicago Press, 1980), p. 70, no. 3G12, as Landscape at Cagnes, c. 1923.
• Musée des Beaux-Arts de Chartres, Soutine, exh. cat. (Chartres, Frances: Musée des Beaux-Arts de Chartes, 1989), pp. 162–63, cat. 25 (ill.), as Paysage de Cagnes, 1923.
• Maurice Tuchman, Esti Dunow, Klaus Perls, Chaim Soutine (1893–1943): Catalogue Raisonné Werkverzeichnis, vol. 1 (Cologne: Benedikt Taschen Verlag, 1993), p. 267 (ill.), no. 137, as Landscape at Cagnes, Paysage de Cagnes, Landschaft in Cagnes, c. 1924–1925.
• Kenneth Wayne, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, exh. cat. (Portland, Maine: Portland Museum of Art, 1998), p. 79, cat. 66, as Landscape at Cagnes, c. 1923.

Dead Fowl

Art Institute of Chicago

Tumblers

Art Institute of Chicago

Untitled

Art Institute of Chicago

Chaim and Renée Gross, New York City

Art Institute of Chicago

Seated Figure

Art Institute of Chicago

Rabbi Chaim Adelman at Eratz HaChaim, Sunderland, Massachusetts, from the series "Sweet Earth: Experimental Utopias in America"

Art Institute of Chicago

Untitled

Art Institute of Chicago

Self-Portrait

Art Institute of Chicago

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