February by Circle of Bernard van Orley
Art Institute of ChicagoPublic domain

February

Circle of Bernard van Orley · before 1528

Provenance

Ownership history

  1. Possibly Marie Particelli (died 1670), Hôtel La Vrillière, Paris, by 1672; possibly by descent to her husband, Louis Phélypeaux de La Vrillière (died 1681), to at least 1684. Jacques Seligmann, to 1914; sold, Galerie George Petit, Paris, Mar. 16-17, 1914, lot 222, to Lehmann Bernheimer, Munich; sold to James Deering (died 1925), Vizcaya, Miami, June 18, 1914; by descent to his nieces, Mrs. Chauncey McCormick (born Marion Deering, died 1965) and Mrs. Ely Danielson (born Barbara Deering, died 1982); given to the Art Institute of Chicago, 1950.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, Regenstein Hall, The Divine Art: Four Centuries of European Tapestry, Nov. 1, 2008–Jan. 4, 2009.

Literature

Published references

  • Phillis Ackerman, Tapestry, a Mirror of Civilization (Oxford University Press, 1933), 380, no. 15.
  • Robert B. Harshe and Daniel Catton Rich, Handbook of the House, Formal Gardens and Foundation of Vizcaya: An Italian Palazzo in a Tropical Setting, Home of the Late James Deering, Deering Plaza, Miami, Florida (Chicago: Art Institute of Chicago, 1934), 7.
  • Edith A. Standen, "Drawings for the 'Months of Lucas' Tapestry Series," Master Drawings 9 (Spring 1971): 3-14, n. 15.
  • Edith A. Standen, "Studies in the History of Tapestry 1520-1790," Apollo 114, no. 322 (July 1981): 25.
  • Edith A. Standen, European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art, vol. 1 (New York: Metropolitan Museum of Art, 1985), 45.
  • Piero Boccardo, Andrea Doria e le arti: committenza e mecenat ismo a Genova (Palombi, 1989), 79, 86, n. 21.
  • Candace J. Adelson, European Tapestry in the Minneapolis Institute of Art (Minneapolis: Minneapolis Institute of Arts, 1994), 87, 90, nn. 28, 30, fig. 35.
  • Ebeltje Hartkamp-Jonxis and Hillie Smit, eds., European Tapestries in the Rijksmuseum. Catalogues of teh Decorative Arts in the Rijksmuseums, Amsterdam 5 (Amsterdam: Rijksmuseum/Waanders, 2004), 71.
  • Jean Vittet, "Les tapisseries de Michel Particelli d'Hemery et de son genere Louis Phelypeaux de La Vrilliere." In Objets d'art" Melanges en l'honneur de Daniel Alcouffe (Faton, 2004), 176.
  • Piero Boccardo, "Le 'tapezzarie finissime di Fiandra' a Genova nel Cinqueccento." In Genova e l'Europa atlantica: Opere, artisti, committenti, collezionisti: Inghilterra, Fiandre, Portogallo, ed. by Piero Boccarod, Clario Di Fabi, and Gianluca Ameri (Silvana, 2006), 113, 130, n. 11.
  • Koenraad Brosens, ed., Christa C. Mayer Thurman, gen. ed., European Tapestries in the Art Institute of Chicago, exh. cat., [exhibition: "The Divine Art: Four Centuries of European Tapestries in the Art Institute of Chicago"] (Chicago: Art Institute of Chicago, 2008) 82-93, cat. 9A (ill.).

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