July

1. Possibly Marie Particelli (died 1670), Hôtel La Vrillière, Paris, by 1672; possibly by descent to her husband, Louis Phélypeaux de La Vrillière (died 1681), to at least 1684. Polycarpe Charles Séchan (with August and October [now in the Metropolitan Museum of Art, New York] and September [now in the Minneapolis Institute of Arts]), to 1875; sold Hôtel Drouot, Paris, Feb. 22-27 and Mar. 1-4, 1875, lot 906 (with August, October, and September), to Dreyfus de Gonzales; sold, Galerie Georges Petit, Paris, June 1-4, 1896, lot 252. Jacques Seligmann, by 1905; sold, Galerie George Petit, Paris, Mar. 16-17, 1914, lot 223, to Lehmann Bernheimer, Munich; sold to James Deering (died 1925), Vizcaya, Miami, June 18, 1914; by descent to his nieces, Mrs. Chauncey McCormick (born Marion Deering, died 1965) and Mrs. Ely Danielson (born Barbara Deering, died 1982); given to the Art Institute of Chicago, 1950

Recorded by Art Institute of Chicago.

• Brussels, Exposition d'Art Ancien Bruxellois, 1905.
• Art Institute of Chicago, Regenstein Hall, The Divine Art: Four Centuries of European Tapestry, Nov. 1, 2008–Jan. 4, 2009.

• Joseph Destree, Tapisseries et sculptures bruxelloises a l'Exposition d'art ancien bruxellois organisee a Bruxelles au Cercle artistique et litteraire de juillet a octobre 1905, exh. cat, (G. van Oest, 1906) vol. 1, 40-41, n. 19; vol. 2, table 7.
• J. Breck, "The Juilliard Tapestries," Metropolitan Museum of Art Bulletin 15, no. 1 (Jan. 1920): 3.
• Heinrich Gobel, Die Niederlande, vol. 1 of Wandteppiche (Klinkhardt und Biermann, 1923), 166-67, vol. 2 table 146.
• Phillis Ackerman, Tapestry, a Mirror of Civilization (Oxford University Press, 1933), 380, n. 15.
• Robert B. Harshe and Daniel Catton Rich, Handbook of the House, Formal Gardens and Foundation of Vizcaya: An Italian Palazzo in a Tropical Setting, Home of the Late James Deering, Deering Plaza, Miami, Florida (Chicago: Art Institute of Chicago, 1934), 7.
• Edith A. Standen, "Drawings for the 'Months of Lucas' Tapestry Series," Master Drawings 9 (Spring 1971): 13, n. 15.
• John David Farmer, "A Painting of the Pentecost by Bernard van Orley," Bulletin of the Art Institute of Chicago 67, no. 5 (Sept.-Oct. 1973): 19 (ill.).
• Edith A. Standen, "Studies in the History of Tapestry 1520-1790," Apollo 114, no. 322 (July 1981): 25.
• Edith A. Standen, European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art, vol. 1 (New York: Metropolitan Museum of Art, 1985), 45.
• Piero Boccardo, Andrea Doria e le arti: committenza e mecenat ismo a Genova (Palombi, 1989), 79, 86, n. 21.
• Candace J. Adelson, European Tapestry in the Minneapolis Institute of Art (Minneapolis: Minneapolis Institute of Arts, 1994), 87, 90, nn. 28, 30, fig. 37.
• Thurman, Christa C. Mayer and Koenraad Brosens, "Flemish Tapestries in the Collection of The Art Institute of Chicago." In Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel, ed. Koenraad Brosens, 171-184. Brepols Publishers, 2003.

October

Art Institute of Chicago

February

Art Institute of Chicago

Pentecost

Art Institute of Chicago

Justitia (Justice) from Los Honores

Art Institute of Chicago

Prudentia (Prudence) from Los Honores

Art Institute of Chicago

Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great

Art Institute of Chicago

Shooting a Pink Elephant, from Screen Prints 1970

Art Institute of Chicago

Lady Reading the Letters of Heloise and Abelard

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.