Houses of Parliament, London

1. Rosenberg, Paris, by Oct. 10, 1916 [this and the following Durand-Ruel, Paris, stock book for 1913–21 (no. 10899, as Westminster, 1903), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file]; sold to Durand-Ruel, Paris, Oct. 10, 1916, for 22,500 francs; sold to Durand-Ruel, New York, Nov. 6 or Dec. 4, 1916 [per Durand-Ruel, Paris stock book for 1913–21 (no. 10899, as Westminster, 1903) and New York stock book for 1904–24 (no. 4026, as Vue de Londres, Westminster, 1903), both confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file; The Paris and New York Durand-Ruel stock books record different dates for the sale]; sold to Martin A. Ryerson (d. 1932), Chicago, Dec. 18, 1916, for $10,000 [per Durand-Ruel, New York, stock book for 1904–24 (no. 4026, as Vue de Londres, Westminster, 1903), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Feb. 21, 2013, curatorial object file; see also, Durand-Ruel to M. A. Ryerson, Dec. 26, 1916, in which Durand-Ruel informs Mr. Ryerson that they sent, on the date of the letter, the painting Mr. Ryerson had recently purchased, excerpt published in Wildenstein 1985]; bequeathed to the Art Institute of Chicago, 1933.

Recorded by Art Institute of Chicago.

• San Francisco, California Palace of the Legion of Honor and the M. H. de Young Memorial Museum, Seven Centuries of Painting: A Loan Exhibition of Old and Modern Masters, Dec. 29, 1939–Jan. 28, 1940, cat. L-132 (ill.).
• University of Chicago, Lexington Hall, Nov. 28–Dec. 19, 1951, no cat.
• Chicago, Remington Rand, window display, Apr. 14–30, 1952, no cat.
• Wichita (Kans.) Art Museum, Three Centuries of French Painting, May 9–23, 1954, cat. 18.
• Park Forest (Ill.) Art Center, Mar. 25–Apr. 22, 1956, no cat.
• Art Institute of Chicago, The Paintings of Claude Monet, Apr. 1–June 15, 1957, no cat. no.
• Iowa City, University of Iowa Gallery of Art, Impressionism and Its Roots, Nov. 8–Dec. 6, 1964, cat. 37 (ill.).
• London, Hayward Gallery, The Impressionists in London, Jan. 3–Mar. 11, 1973, cat. 28 (ill.).
• Art Institute of Chicago, Paintings by Monet, Mar. 15–May 11, 1975, cat. 106 (ill.).
• Shelburne (Vt.) Museum, June 7, 1984–Jan. 29, 1985, no cat.
• Auckland City Art Gallery, Claude Monet: Painter of Light, Apr. 29–June 9, 1985, cat. 33 (ill.); Sydney, Art Gallery of New South Wales, June 21–Aug. 4, 1985; Melbourne, National Gallery of Victoria, Aug. 14–Sept. 29, 1985.
• Atlanta, High Museum of Art, Monet in London, Oct. 9, 1988–Jan. 8, 1989, cat. 20 (ill.).

• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 162, cat. 2147.
• M. C., “Monets in the Art Institute,” Bulletin of the Art Institute of Chicago 19, 2 (Feb. 1925), pp. 20 (ill.), 21.
• Anthony Bertram, Claude Monet, The World’s Masters (Studio/William Edwin Rudge, 1931), pl. 20.
• Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für freunde und sammler der kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.
• California Palace of the Legion of Honor and M. H. de Young Memorial Museum, Seven Centuries of Painting: A Loan Exhibition of Old and Modern Masters, exh. cat. (Recorder, 1939), pp. 47, cat. L-132; 108, cat. L-132 (ill.).
• Buford L. Pickens, “H. H. Richardson and Basic Form Concepts in Modern Architecture,” Art Quarterly 3 (1940), pp. 275, fig. 2; 277.
• Oscar Reuterswärd, Monet: En konstnärshistorik (Bonniers, 1948), p. 287.
• Wichita Art Museum, Three Centuries of French Painting, exh cat. (Wichita Art Museum, 1954), p. 3, cat. 18.
• Art Institute of Chicago, “Catalogue,” Art Institute of Chicago Quarterly 51, 2 (Apr. 1, 1957), p. 34.
• Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 321.
• Frank Seiberling, “A Guide to the Exhibition,” in University of Iowa Gallery of Art, Impressionism and Its Roots, exh. cat. (University of Iowa Gallery of Art, 1964), p. 7.
• University of Iowa Gallery of Art, Impressionism and Its Roots, exh. cat. (University of Iowa Gallery of Art, 1964), p. 43, cat. 37 (ill.).

Water Lilies

Art Institute of Chicago

Arrival of the Normandy Train, Gare Saint-Lazare

Art Institute of Chicago

Stacks of Wheat (End of Summer)

Art Institute of Chicago

Cliff Walk at Pourville

Art Institute of Chicago

Water Lily Pond

Art Institute of Chicago

The Beach at Sainte-Adresse

Art Institute of Chicago

Bordighera

Art Institute of Chicago

Stacks of Wheat (End of Day, Autumn)

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.