James Vibert, Sculptor by Ferdinand Hodler
Art Institute of ChicagoPublic domain

James Vibert, Sculptor

Ferdinand Hodler · 1907

Provenance

Ownership history

  1. Willy Russ-Young (1877–1959), Serrières-Neuchâtel, Switzerland, by 1921 [verso label]. Sold through Galerie Fischer, Lucerne, to Frederic Clay Bartlett (1873–1953), Chicago, July 1924 [invoice from Galerie Fischer to Frederic Clay Bartlett, July 16, 1924, copy in curatorial file]; given to the Art Institute of Chicago, 1926.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Bern, Kunstmuseum, Hodler Gedächtnis-Ausstellung, August 20-October 23, 1921, cat. 370.
  • Boston, Art Club, 1925.
  • Minneapolis Institute of Arts, Exhibition of French Paintings from a Well-Known Collection, 1925, no cat.
  • Chicago, Art Institute, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 319.
  • New York, Museum of Modern Art, 20th Century Portraits, December 9, 1942-January 24, 1943, no cat. no., p. 58 (ill.); traveled to Baltimore Museum of Art, February 12-March 7, 1943, and Worcester Art Museum, March 21-April 18, 1943.

Literature

Published references

  • Loosli, Carl Albert, Ferdinand Hodler, vol. 2 (Zurich: Rascher, 1920), pl. 97.
  • de Mandach, Conrad, Hodler Gedächtnis-Ausstellung, exh. cat. (Bern: Kunstmuseum Bern, 1921), cat. 370.
  • Bulletin of the Minneapolis Institute of Arts 14 (April 1925), p. 32.
  • Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1926), pp. 18, 19 (ill.), 53.
  • Zabel, M. D., “An American Gallery of Modern Painting,” Art and Archaeology 26 (December 1928), pp. 232 (ill.), 235.
  • Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch-Bartlett Collection (Chicago: Art Institute of Chicago, 1929), pp. 26-27 (ill.), 59.
  • Art Institute of Chicago, Catalogue of a Century of Progress Exhibition of Paintings and Sculpture, exh. cat. (Chicago: Lakeside Press, R. R. Donnelley & Sons Co., 1934), cat. 319.
  • Wheeler, Monroe, 20th Century Portraits, exh. cat. (New York: Museum of Modern Art, 1942), no cat. no., p. 58 (ill.).
  • Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1946), pp. 30-31 (ill.), 57.
  • Myers, Bernard Samuel, The German Expressionists: A Generation in Revolt (New York: Praeger, 1957), p. 28 (pl. 7).
  • Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 217.
  • Speyer, A. James, and Courtney Graham Donnell, Twentieth Century European Painting (Chicago: University of Chicago Press, 1980), p. 46, no. 2B3.

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