The Grand Muveran

1. Sold through Galerie Moos, Geneva, to Willy Russ-Young (1877–1959), Serrières-Neuchâtel, Switzerland, by 1921 [Bätschmann and Müller, 2008, 375; verso label]. Sold by George F. Porter (1881–1927), Chicago to Frederic Clay Bartlett (1873–1953), Chicago, Nov. 1924 [Heller 1986]; given to the Art Institute of Chicago, 1926.

Recorded by Art Institute of Chicago.

• Bern, Kunstmuseum, Hodler Gedächtnis-Ausstellung, August 20-October 23, 1921, cat. 467.
• Boston, Art Club, 1925.
• Minneapolis Institute of Arts, Exhibition of French Paintings from a Well-Known Collection, 1925, no cat.
• Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. 729.
• Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 317.

• de Mandach, Conrad, Hodler Gedächtnis-Ausstellung, exh. cat. (Bern: Kunstmuseum Bern, 1921), cat. 467.
• Art Institute of Chicago, Bulletin of the Art Institute of Chicago 19, 7 (October 1925), pp. 81, 82 (ill.).
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1926), pp. 16, 17 (ill.), 54.
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch-Bartlett Collection (Chicago: Art Institute of Chicago, 1929), pp. 24-25 (ill.), 60.
• Art Institute of Chicago, Catalogue of a Century of Progress Exhibition of Paintings and Sculpture, exh. cat. (Chicago: Art Institute of Chicago, 1933), cat. 729.
• Art Institute of Chicago, Catalogue of a Century of Progress Exhibition of Paintings and Sculpture, exh. cat. (Chicago: Lakeside Press, R. R. Donnelley & Sons Co., 1934), cat. 317.
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial, from the Birch Bartlett Collection (Chicago: Art Institute of Chicago, 1946), pp. 26-27 (ill.), 57.
• Speyer, A. James, and Courtney Graham Donnell, Twentieth Century European Painting (Chicago: University of Chicago Press, 1980), p. 46, no. 2B4.
• Brettell, Richard R., “The Bartletts and the Grande Jatte: Collecting Modern Painting in the 1920s,” The Art Institute of Chicago Museum Studies 12, 2 (1986), p. 14.
• Heller, Reinhold, “Ferdinand Hodler: A Unique Note in the Birch Bartlett Collection,” The Art Institute of Chicago Museum Studies 12, 2 (1986), pp. 166-87, fig. 2 (color ill.).

Ferdinand Hodler

The Metropolitan Museum of Art

Ferdinand Hodler

The Metropolitan Museum of Art

Ferdinand Hodler, calling card

The Metropolitan Museum of Art

Heroic Landscape with Rainbow

The Metropolitan Museum of Art

Day (Truth)

Art Institute of Chicago

James Vibert, Sculptor

Art Institute of Chicago

Head of a Soldier

Art Institute of Chicago

Study for Day (Truth)

Art Institute of Chicago

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