Landscape

1. Paul Guillaume, Paris [verso and Kellerman 1996]. Frederick Clay Bartlett, Chicago, by June 19, 1924 [shipping receipt, in curatorial file]; given to the Art Institute of Chicago, 1926.

Recorded by Art Institute of Chicago.

• Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection, April 1925, cat. 15.
• Boston Art Club, Birch-Bartlett Collection of Modern French Paintings, December 9–26, 1925, cat. 1.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1933, p. 78, cat. 685.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, p. 52, cat. 343.
• Chicago, Carson Pirie Scott, April 14–30, 1952.

• F., “The Birch-Bartlett Loan collection,” Bulletin of the Art Institute of Chicago XIX, no. 7 (October 1925), p. 83 (ill.).
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 167, cat. 2224.
• Minneapolis Institute of Arts, Exhibition of Modern French Paintings from the Birch-Bartlett Collection exh. cat. (Minneapolis Institute of Arts, 1925), cat. 15.
• Boston Art Club, Birch-Bartlett Collection of Modern French Paintings exh. cat. Boston Art Club, 1925), cat. 1.
• Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection, (Art Institute of Chicago, 1926), pp. 30, 31 (ill.), 57.
• Zabel, Morton Dauwen, “An American Gallery of Modern Painting,” Art and Archaeology 26, no. 6 (December 1928), pp. 230 (ill.), 233.
• Sherwood, Walter J., “The Famous Birch Bartlett collection,” The Chicago Visitor (October, 1932), p. 40.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture exh. cat. (Art Institute of Chicago, 1933), p. 78, cat. 685.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture exh. cat. (Art Institute of Chicago, 1934), p. 52, cat. 343.
• Art Institute of Chicago, Modern Paintings in the Birch Bartlett Memorial from the Birch-Bartlett Collection, (Art Institute, 1946), pp. 12, 13 (ill.), p. 54.
• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1961), p. 125, as Landscape, proabably painted around 1914.
• Grung, Sandra, Supplement to Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1971), p. 30, as Landscape, probably painted between 1920 and 1925 not around 1914.

Ballet Dancer

Art Institute of Chicago

Forest at Martigues

Art Institute of Chicago

Landscape

Art Institute of Chicago

Landscape in Provence

Art Institute of Chicago

Cagnes

Art Institute of Chicago

Fountain

Art Institute of Chicago

Grapes

Art Institute of Chicago

Three Nude Women in a Landscape

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.