Portrait of the Artist's Niece in Chinese Costume by James Ensor
Art Institute of Chicago

Portrait of the Artist's Niece in Chinese Costume

James Ensor · 1899

Provenance

Ownership history

  1. The artist, to at least 1929 [the work is recorded in the Art Institute's sketchbook (1955.1021), which is a "Liber Veritatis," that documents works still in Ensor's collection from around 1929]. Camille Gutt (1884-1971), Brussels; by descent; sold, Sotheby’s, London, April 12, 1972, lot 87, to "Hale" [according to price list]. Sold by E. V. Thaw, New York, to the Art Institute of Chicago, 1972.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Palm Beach, Fla., Society of Four Arts, "Drawings from The Art Institute of Chicago," Jan. 5–27, 1974, n.p., cat. 17.
  • Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 158-59, cat. 78 (ill.), cat. by Harold Joachim.
  • New York, Solomon R. Guggenheim Museum, "James Ensor," Jan.-Apr. 1977, cat. 48, cat. by John D. Farmer; also Art Institute of Chicago, Nov. 6, 1976-Jan. 2, 1977.
  • Art Institute of Chicago, "The Regenstein Collection of European Drawings," 1985-1986.
  • Kunsthaus Zürich, "James Ensor," May 5-July 31, 1983, cat. 253; also Antwerp Koninklijk Museum voor Schone Kunsten, Aug. 20-Oct. 30, 1983.
  • Brussels, Musées Royaux des Beaux Arts de Belgique, "James Ensor," Sept. 24, 1999-Feb. 13, 2000, cat. 253.
  • Art Institute of Chicago, "Temptation: The Demons of James Ensor," Nov. 23, 201- Jan. 25, 2015.

Literature

Published references

  • Grégoire le Roy, James Ensor (Brussels and Paris 1922), p. 187.
  • Petra ten-Doesschate Chu, “James Ensor’s La petite Chinoise: A Case Study of
  • Modernist Chinoiserie,” Nineteenth-Century Art Worldwide 2:2 (Summer 2026), https://
  • doi.org/10.29411/ncaw.2026.25.2.6.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

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