
Art Institute of Chicago
Portrait of the Artist's Niece in Chinese Costume
James Ensor · 1899
Provenance
Ownership history
- The artist, to at least 1929 [the work is recorded in the Art Institute's sketchbook (1955.1021), which is a "Liber Veritatis," that documents works still in Ensor's collection from around 1929]. Camille Gutt (1884-1971), Brussels; by descent; sold, Sotheby’s, London, April 12, 1972, lot 87, to "Hale" [according to price list]. Sold by E. V. Thaw, New York, to the Art Institute of Chicago, 1972.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- Palm Beach, Fla., Society of Four Arts, "Drawings from The Art Institute of Chicago," Jan. 5–27, 1974, n.p., cat. 17.
- Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 158-59, cat. 78 (ill.), cat. by Harold Joachim.
- New York, Solomon R. Guggenheim Museum, "James Ensor," Jan.-Apr. 1977, cat. 48, cat. by John D. Farmer; also Art Institute of Chicago, Nov. 6, 1976-Jan. 2, 1977.
- Art Institute of Chicago, "The Regenstein Collection of European Drawings," 1985-1986.
- Kunsthaus Zürich, "James Ensor," May 5-July 31, 1983, cat. 253; also Antwerp Koninklijk Museum voor Schone Kunsten, Aug. 20-Oct. 30, 1983.
- Brussels, Musées Royaux des Beaux Arts de Belgique, "James Ensor," Sept. 24, 1999-Feb. 13, 2000, cat. 253.
- Art Institute of Chicago, "Temptation: The Demons of James Ensor," Nov. 23, 201- Jan. 25, 2015.
Literature
Published references
- Grégoire le Roy, James Ensor (Brussels and Paris 1922), p. 187.
- Petra ten-Doesschate Chu, “James Ensor’s La petite Chinoise: A Case Study of
- Modernist Chinoiserie,” Nineteenth-Century Art Worldwide 2:2 (Summer 2026), https://
- doi.org/10.29411/ncaw.2026.25.2.6.
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Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.
Research assistant