Still Life with Fish and Shells

1. A. Jungers, Brussels by1908 [according to Verhaeren 1908 and Tricot 1992]. F. van Haelen, Brussels by 1920 [according to exh. cat. 1920] until at least 1939 [according to exh. cat. 1939]. Mme Cl. van Weyenbergh, Ressaix and Quaregnon by 1943 [according to Fierens 1943] until at least 1951 [according to exh. cat. 1951]. Possibly Sam Salz, Inc., New York [according to Salz’s label on the reverse of the painting]. Leigh B. Block, Chicago by 1967; given to the Art Institute, 1978.

Recorded by Art Institute of Chicago.

• Brussels, Galerie Georges Giroux, Exposition de cent oeuvres de James Ensor, January 7–18, 1920, cat. 27.
• Antwerp, Kunst von Heden–L’Art Contemporain, May 7–29, 1921, cat. 117.
• Wolvandael (Brussels), Château de Wolvandael, Exposition de la collection F. Van Haelen, May 10–25, 1924, cat. 44.
• Brussels, Palais des Beaux–Arts, Rétrospective James Ensor, January 19–February 17, 1929, cat. 225.
• Ostende, Kursaal, Oeuvres de James Ensor, August 11–18, 1931, cat. 52.
• Brussels, Exposition Universelle et Internationale, Exposition D’Art Moderne, January 5–11, 1935, cat. 122.
• Charleroi, Salle de la Bourse, Cercle Artistique et Littéraire, XXIIIe Salon: Hommage à James Ensor, March 19–April 4, 1949, cat. 34.
• Paris, Gazette des Beaux–Arts, Ensor, June–July, 1939, cat. 45.
• Brussels, Galerie Georges Giroux, Hommage a James Ensor, October 12–November 4, 1945, cat. 85.
• Brussels, Galerie du Siècle, Ensor, Peintures, Eaux–fortes, June 2–18, 1948, cat. 9.
• Ostende, Palais des Thermes, Glories de la Peinture Moderne: Homage a James Ensor, July 23–August 22, 1949, cat. 17.
• Brussels, Palais des Beaux–Arts, Les peintures de la mer: XIVe Salon–Hommage à James Ensor, March 4–19, 1950, cat. 28.

• Emile Verhaeren, James Ensor (Brussels, 1908), p. 120.
• Bulletin et Catalogue des Expositions James Ensor (Brussels, 1920), p. 4.
• Grégorie le Roy, James Ensor (Brussels and Paris, 1922), p. 137.
• François Fosca, James Ensor (Brussels, 1929), no. 225.
• André de Ridder, James Ensor (Paris, 1930), no. 38 (ill.).
• Paul Fierens, James Ensor (Brussels, 1943), no. 97 (color ill.).
• Paul Haesaerts, Ensor (New York, 1959), no. 114.
• Francine–Claire Legrand, Ensor, cet inconnu (Brussels, 1971), p. 115.
• Richard Brettell, Post–Impressionists (New York, 1987), pp. 22 (ill.), 23.
• Francine–Claire Legrand, Ensor (Brussels, 1990), pp. 87, 127, no. 182.
• Xavier Tricot, James Ensor: Catalogue Raisonné of the Paintings vol. 2 (Antwerp, 1992), p. 375, no. 376 (ill.).
• Francine–Claire Legrand, Ensor, la mort et le charme: Un autre Ensor (Antwerp, 1993), pp. 91 (ill.), 220 (color ill.), 258.

Death of Jezebel

Art Institute of Chicago

The Infernal Cortege

Art Institute of Chicago

The Temptation of Saint Anthony

Art Institute of Chicago

Demons Tormenting Me

Art Institute of Chicago

Portrait of the Artist's Niece in Chinese Costume

Art Institute of Chicago

Village Fair at the Windmill

Art Institute of Chicago

Anger, from The Deadly Sins

Art Institute of Chicago

Los Caprichos: Se Repulen

Art Institute of Chicago

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