
Art Institute of ChicagoPublic domain
The Captive Slave (Ira Aldridge)
John Philip Simpson · 1827
Provenance
Ownership history
- Private collection, United Kingdom, after 1827 [this and the following according to Postle 2009]. Sold James Adam and Sons, Ltd., Dublin, November 6, 1996, lot no. 164, to a private collector; private collection, Surrey, United Kingdom, 1996 [according to email correspondence of May 26, 2016, between Ben Elwes and Gloria Groom; copy in curatorial file]; sold to Ben Elwes Fine Art, London; sold to the Art Institute of Chicago, 2008.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- London, Royal Academy of Arts, 1827, no. 283.
- London, British Institution, 1828, no. 136.
- Liverpool, Liverpool Academy, 1828, no. 95.
- Winter Park, The Cornell Fine Arts Museum, The Black Figure in the European Imaginary, Jan. 20 - Mar. 15, 2017.
- New York, Wallach Art Gallery, Posing Modernity: The Black Model from Manet to Matisse, Oct. 24, 2018-Feb. 10, 2019; Paris, Musée d'Orsay, Le Modéle Noir [The Black Model], Mar. 25 - July 14 2019, cat. 99; Guadeloupe, Mémorial ACTe, Sep. 13-Dec. 29, 2019 [Paris only].
- Museum of Fine Arts, Houston, Afro-Atlantic Histories, Oct. 24, 2021-Jan. 17, 2022, cat. 26; Washington, DC, National Gallery of Art, Apr. 10-July 17, 2022; Los Angeles County Museum of Art, Nov. 1, 2022-Apr. 30, 2023; Dallas Museum of Art, Oct. 2023-Jan. 2024. [Houston and Washington only].
Literature
Published references
- "Fine Arts: Royal Academy," The Examiner (July 15, 1827).
- "Fine Arts: British Institution," The Atlas 3, 94 (March 2, 1828): 140.
- The London Magazine (April 1828): 28, no. 136.
- Algernon Graves, The Royal Academy of Arts: A Complete Dictionary of Contributors and their Work from its Foundation in 1769 to 1904, vol. 7 (London: Henry Graves, 1906), 131, no. 283.
- "The Story of Art Retold: New Acquisitions at the Art Institute of Chicago," Apollo (October 2008): 49 (ill.).
- Martin Postle, "The Captive Slave by John Simpson (1782-1847): A rediscovered masterpiece", British Art Journal 9, 3 (Spring 2009): 18-26.
- Bernth Lindfors, Ira Aldridge: The Early Years, 1807-1833 (Rochester: University of Rochester Press, 2011), 109.
- Childs, Adrienne L., Susan H. Libby, The Black Figure in the the European Imaginary, exh. cat. (Cornell Fine Arts Museum at Rollins College, Winter Park, Florida/GILES, 2017), 18-19, fig. 4; 20, 55 (color pl.).
- Marc Vitali, "New Play Looks at Life of Trailblazing African-American Actor," WTTW: Chicago Tonight, December 11, 2017, ill.
- Des Cars, Laurence, et. al. Le Modéle Noir [The Black Model], exh. cat. (Paris: Musée d' Orsay/Flammarion, 2019), 138-41 cat. 99, 357.
- Farah Peterson, "On Our Knees: What the history of a gesture can tell us about Black creative power," American Scholar, September 7, 2021 <a href="https://theamericanscholar.org/on-our-knees/">https://theamericanscholar.org/on-our-knees/</a>
- Adriano Pedrosa and Tomas Toledo, eds., Afto-Atlantic Histories, exh. cat. (New York: Del Monaco Books, 2021), 88 fig. 26.
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Research assistant