The Cloisters

1. The artist, Birmingham, PA; sold to Lincoln Kirstein (1907–1996), New York, 1949 [Carnegie Institute 1949, no. 170]; sold to Joseph Verner Reed (1902–1973), New York, by 1957 [Wilmington Society of the Fine Arts 1957, no. 23; Meryman 1996, 242]; sold, American Pageant of Fashion and the Arts, New York, Dec. 29, 1963 [on view in Knoedler Gallery, New York, Dec. 1963]. Wildenstein and Co., New York, by June 1966, sold to Helen Regenstein (1896–1982; born Asher, also Mrs. Joseph Regenstein), Chicago, Aug. 1966 [letter from Louis Goldenberg, Wildenstein and Co., to Mrs. Joseph Regenstein, Aug. 1966; copy in curatorial object file]; given to the Art Institute of Chicago, 1966.

Recorded by Art Institute of Chicago.

• Pittsburgh, The Carnegie Institute, Painting in the United States, Oct. 13–Dec. 11, 1949, no. 207, pl. 17.
• London, England, the Institute of Contemporary Arts, Symbolic Realism in American Painting, July 18–Aug. 18, 1950, no. 38.
• Manchester, New Hampshire, The Currier Gallery of Art, Paintings and Drawings by Andrew Wyeth, July 7–Aug. 4, 1951; Rockland, Maine, The William A. Farnsworth Library and Art Museum, Aug. 10–Sept. 8, 1951, no. 20, illus.
• Wilmington, Delaware, the Wilmington Society of the Fine Arts, Andrew Wyeth, Jan. 7–Feb. 3, 1957, no. 23.
• Buffalo, New York, the Albright–Knox Art Gallery, Andrew Wyeth, Nov. 2–Dec. 9, 1962, no. 11.
• Philadelphia, Pennsylvania Academy of the Fine Arts, Andrew Wyeth, Temperas, Watercolors, Dry Brush, Drawings, 1938 into 1966; Baltimore Museum of Art, Dec. 11, 1966–Jan. 22, 1967; Whitney Museum of American Art, Feb. 6–Apr. 12, 1967; Art Institute of Chicago, Apr. 21–June 4, 1967, illus.
• Museum of Fine Arts, Boston, July 16–Sept. 6, 1970, no. 13, illus.

• Carnegie Institute, <em>Painting in the United States</em>, exh. cat. (Pittsburg: Carnegie Institution, 1949), cat. 170, plate 17 (ill.).
• Institute of Contemporary Arts, <em>Symbolic Realism in American Painting, 1940–1950</em>, exh. cat. (London: The Institute of Contemporary Arts, 1950), 11, cat. 38, fig. 15 (ill.).
• <em>Paintings and Drawings by Andrew Wyeth</em>, exh. cat. (Manchester, NH, and Rockland, ME: Currier Gallery and William A. Farnsworth Library and Art Museum, 1951), 16, cat. 20 (ill.).
• <em>Andrew Wyeth</em>, pamphlet for exhibition (Delaware: Wilmington Society of the Fine Arts, 1957), cat. 23.
• Ernest W. Watson, “Mood, a chapter from “Composition in Landscape and Still Life,” reprinted in <em>American Artist</em> (Oct. 1959): 33 (ill).
• <em>Andrew Wyeth: Tempera, Water Colors and Drawings</em>, exh. cat. (Buffalo, NY: Buffalo Fine Arts Academy, Albright-Knox Art Gallery, 1962), 9, cat. 11.
• <em>Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings, 1938 into 1960</em>, exh. cat. (Pennsylvania Academy of the Fine Arts, 1966), (ill.).
• C.C.C., “Andrew Wyeth Exhibition,” Calendar of the Art Institute of Chicago 61, 2 (March 1967): 7 (ill.).
• “Accessions of American and Canadian Museums: October-December, 1966,” <em>The Art Quarterly</em> 30, 1 (1967): 77, 81 (ill.).
• <em>Andrew Wyeth</em>, exh. cat. (Museum of Fine Arts, Boston, 1970), no. 13.
• Wanda Corn, <em>Andrew Wyeth: The Man, His Art, and His Audience</em> (Ph.D., New York University, Fine Arts, 1974), 103 (ownership mentioned, not illustrated).
• Jaan Kangilaski, “Cover,” <em>JAMA: Journal of the American Medical Association</em> (Jan 5, 1976): cover image, 4 (ill.).

Coot Hunter

Art Institute of Chicago

Andrew Wyeth

Art Institute of Chicago

Flag Day

Art Institute of Chicago

Saint Andrew

Art Institute of Chicago

General Andrew Jackson

Art Institute of Chicago

St. Andrew, from Apostles

Art Institute of Chicago

Racing

Art Institute of Chicago

Sir Andrew Fountaine

Art Institute of Chicago

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