
Art Institute of ChicagoPublic domain
Saint Andrew
Pompeo Girolamo Batoni · 1740–43
Provenance
Ownership history
- Merenda family, Forlì, and thence by descent; with M. & C. Sestieri, Rome, by 1959; sold to the Art Institute, 1960.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- The Art Institute of Chicago, The Art of the Edge: European Frames 1300 – 1900, 1986, no. 23.
Literature
Published references
- Merenda house lists, nos. 163, 338 (according to Clark, 1985, no. 76).
- Egidio Galzini and Giuseppe Mazzatinti, Guida di Forli, Forli, 1893, p. 54, no. 338.
- Egidio Calzini, “La galleria Merenda in Forlì e le pitture del Batoni in essa contenute,” Arte e Storia, 15 (September 10, 1896), p. 130.
- Egidio Calzini, “La galleria Merenda in Forlì e le pitture del Batoni in essa contenute,” Arte e Storia, 15 (September 30, 1896), p. 139.
- Ettore Casedei, La Città di Forlì e i suoi dintorni, Forli, 1928, p. 382.
- Luisa Marcucci, “Pompeo Batoni a Forlì,” Emporium, 99 (1944), pp. 95, 98.
- The Art Institute of Chicago, Paintings in the Art institute of Chicago. A Catalogue of the Picture Collection, Chicago, 1961, pp. 19, 51 (ill.).
- Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections, Cambridge, 1972, p. 20.
- Francis Russell, “Batoni at Basildon,“ National Trust Studies, 1981, pp. 36-37, 39-42.
- Colnaghi, New York, Pompeo Batoni (1708-1787), A Loan Exhibition of Paintings, introduction and catalogue by Edgar Peters Bowron, New York, 1982, p. 16, under no. 2, fig.2.
- Anthony M. Clark, Pompeo Batoni. A Complete Catalogue of his Works with an Introductory Text, edited by Edgar Peters Bowron, Oxford, 1985, pp. 27, 227, under no. 60, 231, no. 76, 388, pl. 75 (dates work c. 1740-43).
- Edgar Peters Bowron, “A Little-known Settecento Collector in Rome: Count Cesare Merenda, “ in Matthiesen Fine Art Ltd., London, The Settecento: Italian Rococo and Early Neo-Classical Paintings 1700-1800, London, 1987, exh. cat., p. 19.
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