Don José Moñino y Redondo, Conde de Floridablanca

1. Possibly Princess Giuliana Santacroce, Rome [acc. to Clark 1985]; Santacroce family, Rome by the early nineteenth century [the painting appears in an undated, early-nineteenth-century manuscript inventory, Quadri della Galleria del Principe D. Antonio Santacroce, no. 51, as Ritratto del marchese Florido Blanco del Battoni; the original inventory previously in the possession of the Rangoni family, copy in curatorial file]; by descent to Princess Luisa Pubblicola Santacroce, who married Marquess Aldobrandino Rangoni (1846–1928) in 1869 in Macerata, Marche, Italy; by descent to the Rangoni family, Macerata [seen by Carlo Sestieri in the villa of Forano near Macerata, no date provided, see letter from Sestieri, dated December 10, 1977, in curatorial file]. Roman art market, 1968-73 [acc. to Clark 1985]; Marcello and Carlo Sestieri, Rome, by late 1973 [see letter from Sestieri, December 1977, in curatorial file]. Heim Gallery, London, 1974; sold to the Art Institute, 1974.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, European Portraits 1600-1900 in The Art Institute of Chicago, 1978, cat. 10 (ill.).
• Art Institute of Chicago, The Art of the Edge: European Frames 1300-1900, 1986, cat. 22 (frame ill., painting mentioned).
• Yale Center for British Art, New Haven, The English Prize: The Capture of the Westmorland, and Episode of the Grand Tour, October 4, 2012-January 13, 2013, cat. 6 (ill.).

• Ernst Emmerling, Pompeo Batoni: sein Leben und Werk (Darmstadt: Gesellschaft Hessischer Bücherfreunde, 1932), p. 106, no. 43.
• Art Institute of Chicago Annual Report 1974-75 (Chicago, 1975), pp. 11 (ill.), 12, 31.
• John Maxon, The Art Institute of Chicago, rev. ed (Thames and Hudson, 1977), p. 64 (ill.).
• Anthony M. Clark, Pompeo Batoni: A Complete Catalogue of His Work with an Introductory Text, ed. by Edgar Peters Bowron (Phaidon, 1985), p. 340, no. 394, pl. 354.
• Paul Mitchell and Lynn Roberts, Frameworks: Form, Function and Ornament in European Portrait Frames (London: Merrell Holberton, 1996), p. 268 (ill.).
• Edgar Peters Bowron, Pompeo Batoni: Complete Catalogue of his Paintings, vol. 2 (New Haven and London: Yale University Press, 2016), pp. 511-13, ill., no. 403.

Allegory of Peace and War

Art Institute of Chicago

Time Unveiling Truth

Art Institute of Chicago

Saint Andrew

Art Institute of Chicago

Study for Saint Bartholomew and Drapery

Art Institute of Chicago

Triumph of Love (after antique bas-relief)

Art Institute of Chicago

Head of Bearded Old Man

Art Institute of Chicago

Academic Male Nude Leaning on Staff

Art Institute of Chicago

Death of Mark Antony

Art Institute of Chicago

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