The Good Samaritan Arriving at the Inn

1. Pierre Crozat (1665-1740), Paris [inscription (Lugt 3612), recto, lower right, in pen and brown ink]. 15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records].   Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower right, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Rembrandt After Three Hundred Years, Oct.25–Dec.7, 1969, pp. 180 and 235 (ill.), cat. 146; also the Minneapolis Institute of Arts, Dec. 22, 1969–Feb. 1, 1970; and the Detroit Institute of Arts, Feb. 24–Apr. 5, 1970 (as unidentified pupil of Rembrandt).
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 64, 66 (ill.), 311-12, 335, cat. 17, cat. by Victoria Sancho Lobis, et. al.

• Clotilde Brière-Misme, “Autour de Rembrandt,” Bulletin des Musées de France (June 1949), pp. 122–28, fig. 6, p. 127 (as workshop of Rembrandt).
• Otto Benesch, The Drawings of Rembrandt (London: Phaidon, 1957), vol. III, p. 143, under no. 518a (as pupil of Rembrandt).
• Otto Benesch, The Drawings of Rembrandt (London: Phaidon, 1957), vol.V, p. 278, under no. 1018 (as pupil of Rembrandt).
• Leiden, Stedelijk Museum ‘De Lakenhal’, Rembrandt als leermeester, 1 June–1 September 1956, p. 20, under no. 17 (as school of Rembrandt, ‘direct copy after painting?’).
• Werner Sumowski, “Nachträge zum Rembrandt Jahre 1956,” Wissenschaftliche Zeitschrift der Humboldt-Univerität zu Berlin: Gesellschafts- und sprachwissenschaftiche Reihe, VII (1957–58), p. 255–281 (p. 232, ill. Fig. 58, p. 262) (as student of Rembrandt).
• Roger-Marx, Claude, Rembrandt (Paris: Pierre Tisné, 1960), pp. 262–63, no. 97f (as studio of Rembrandt).
• Peter Schatborn, “Van Rembrandt tot Crozat: Vroege verzamelingen met tekeningen van Rembrandt,” Nederlands Kunsthistorisch Jaarboek 32 (1981), 43–44 (ill. p. 43) (as Rembrandt school).
• Martin Royalton-Kisch, Review of The Drawings by Rembrandt and His School in the Museum Boymans-van Beuningen by Jeroen Giltaij and Rembrandt: Een Gloeiend Palet. A Glowing palette. Paintings of Rembrandt and his School by Jeroen Giltaij and Rembrandt: Rembrandt et son école, dessins du Musée du Louvre by Emmanuel Starcky and Rembrandt: Peintres rembranesques au Louvre by Jacques Foucart and Jan Lievens 1607–1674: Prenten & Tekeningen/Prints and Drawings by Peter Schatborn, Burlington Magazine 132, no. 1043 (February 1990) (ill.), pp. 131-32 (as Willem Drost).
• Martin Royalton-Kisch, Catalogue of Rembrandt and His School in the British Museum: Online Research Catalogue, 2010 no. 103 (as pupil of Rembrandt).

Daniel Mytens

Art Institute of Chicago

Teapot

Art Institute of Chicago

Daniel-Henry Kahnweiler

Art Institute of Chicago

Sugar Urn and Cream Pot

Art Institute of Chicago

Simon Vouet

Art Institute of Chicago

Daniel Hubbard

Art Institute of Chicago

The Bedroom

Art Institute of Chicago

Up and Down, In and Out, Step by Step, A Sculpture

Art Institute of Chicago

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