
Art Institute of ChicagoPublic domain
The Millinery Shop
Hilaire Germain Edgar Degas · 1879-86
Provenance
Ownership history
- Sold by the artist to Paul Durand-Ruel, Paris on February 22, 1913 for 50,000 francs [see Durand-Ruel stock no. 10253; this and the following information according to Paris 1988]; sent to Durand-Ruel Gallery in New York, 1917; sold to Mrs. Lewis Larned (Annie Swan) Coburn (died 1932), Chicago on January 19, 1932 for $36,000 or $35,000 [see Durand-Ruel stock no. 4114; the date 1932 given in the Durand-Ruel stockbook contradicts a loan receipt, dated January 23, 1930, for a “Millinery Shop, 1882” from Mrs. L.L. Coburn to the Art Institute of Chicago, copy in curatorial file]; bequeathed to the Art Institute of Chicago, 1933.
Recorded by Art Institute of Chicago.
Exhibitions
Exhibition history
- The Art Institute of Chicago, Mrs. L.L. Coburn Collection: Modern Paintings and Water Colors, April 6, 1932-October 9, 1932, cat. 9 (ill.).
- The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1933, cat. 286, pl. 53.
- Northampton, Mass., Smith College Museum of Art, Edgar Degas, November 28-Deceber 18, 1933, cat. 8 (ill.).
- The Art Institute of Chicago, A Century of Progress Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 202.
- Toledo, Ohio, Museum of Art, French Impressionists and Post-Impressionists, November 1934, cat. 1.
- Springfield, Mass., Museum of Art, French Painting, Cézanne to the Present, December 1935-January 1936, cat. 1.
- Philadelphia Museum of Art, Degas, November-December 1936, cat. 40 (ill.).
- Worcester, Mass., Worcester Art Museum, The Art of The Third Republic, February-March 1941, cat. 4 (ill. on cover).
- Cleveland Museum of Art, The Works of Edgar Degas, February 5-March 9, 1947, cat. 38 (ill.).
- Philadelphia Museum of Art, Diamond Jubilee Exhibition: Masterpieces of Painting, November 4, 1950-February 11, 1951, cat. 74 (ill.).
- Boston Museum of Fine Arts, Edgar Degas: The Reluctant Impressionist, June 21-September 1, 1974, cat. 20 (ill.).
- Richmond, Va., The Virginia Museum, Degas, May 23-July 9, 1978, cat. 14 (ill.).
Literature
Published references
- Daniel Catton Rich, “Bequest of Mrs. L. L. Coburn,” The Art Institute of Chicago Bulletin 26, 5 (1932), p. 69 (ill.).
- The Fine Arts 19 (June 1932), p. 23 (ill.).
- Eleanor Jewett, “Noted Private Art Collection on Exhibition: Antiquarians Sponsor Institute Show,” Chicago Tribune (April 6, 1932).
- Smith College Museum of Art Bulletin 15 (June 1934), p. 15 (ill.).
- Agnes Mongan, “Degas As Seen in American Collections,” Burlington Magazine 72 (1938), pp. 297 (ill.), 302.
- George Slocombe, “Artist as Misanthrope,” Coronet 3, 6 (April 1938), p. 22 (ill.).
- R. Shoolman and C. E. Slatkin, The Enjoyment of Art in America (Philadelphia, 1942), pl. 543.
- An Illustrated Guide to the Collections of The Art Institute of Chicago (Chicago, 1945), pp. 36 (ill.), 37.
- Hans Huth, “Impressionism Comes to America,” Gazette des Beaux-Arts ser. 6, vol. 29 (1946), pp. 234, fig. 8.
- Paul Andre Lemoisne, Degas et son oeuvre vol. 3 (Paris, 1946), cat. 832 (ill.).
- F. Fels, L’Art Vivant de 1900 a Nos Jours (Geneva, 1950), p. 98 (ill.).
- Daniel Catton Rich, “Midwest Art Capital,” Town and Country (March 1951), p. 75 (ill.).
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