Two Putti by Matteo di Giovanni
Art Institute of ChicagoPublic domain

Two Putti

Matteo di Giovanni · 1490–1510

Provenance

Ownership history

  1. Major-General John Barton Sterling, London, by 1886 [Sterling listed as lender to the Royal Academy of Arts exhibition, London, 1886]; sold Sotheby’s, London, April 29, 1914, no. 106, as School of Botticelli. Sold by Steinmeyer & Fils, Paris, to Martin A. Ryerson (d. 1932), Chicago, 1914; by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]; bequeathed to the Art Institute of Chicago, 1937.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • London, Royal Academy of Arts, Works by the Old Masters, and by Deceased Masters of the British School, 1886, no. 173, as Italian School.

Literature

Published references

  • Bernard Berenson, Italian Pictures of the Renaissance (Oxford, 1932), p. 70.
  • Bernard Berenson, Pitture italiane del Rinascimento (Milan, 1936), p. 60.
  • Bernard Berenson, Italian Pictures of the Renaissance: Venetian School, vol. 1 (London, 1957), p. 30.
  • William R. Valentiner, Paintings in the Collection of Martin A. Ryerson, unpub. MS [1932], Archives, The Art Institute of Chicago, n. pag.
  • Kate Lancaster Brewster, “The Ryerson Gift to The Art Institute of Chicago,” Magazine of Art 31 (February 1938), p. 97.
  • René Brimo, Art et goût: L’Evolution du goût aux Etats-Unis d’après l’histoire des collections (Paris, 1938), p. 92.
  • Carlo Ludovico Ragghianti, “Studi sulla pittura lombarda del quattrocento,” Critica d’arte 3d ser., 8 (1949), p. 298 n. 29.
  • Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 226.
  • Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 139, 503, 571.
  • Christopher Lloyd, Italian Paintings before 1600 in the Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 171–173, ill.
  • Carl Brandon Strehlke, review of Italian Paintings before 1600 in The Art Institute of Chicago. A Catalogue of the Collection by Christopher Lloyd, Burlington Magazine 136 (September 1994), p. 626.

Comparables

Related holdings by the same hand

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