Virgin and Child by Circle of Adriaen Isenbrant
Art Institute of ChicagoPublic domain

Virgin and Child

Circle of Adriaen Isenbrant · c. 1530

Provenance

Ownership history

  1. Dowdeswell and Dowdeswell, London, 1903 [Friedländer 1906]. Josef Cremer, Dortmund, Germany, by 1929; sold, Wertheim Antiquitätenhaus, Berlin, May 29, 1929, no. 21, to Knoedler, London [according to receipt from Knoedler, July 17, 1929, in registrar’s records]; sold to the Art Institute, 1929; offered for sale, Parke-Bernet, New York, Mar. 2, 1944, no. 66, bought in.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Art Institute of Chicago, A Century of Progress, 1933, no. 42.
  • Tulsa, Okla., Philbrook Art Center, Annual Fall Exhibition, 1950 (no cat.).
  • Birmingham (Ala.) Museum of Art, North European Masters, 1952, no. 11, traveled to Atlanta, New Orleans, and Chattanooga.

Literature

Published references

  • Max J. Friedländer, “Ein Madonnenbild Gerard David’s im Kaiser Friedrich Museum,” Jahrbuch der königlich preussischen Kunstsammlungen 27 (1906), p. 145.
  • Alfred Scharf, “Die Primitieven der Sammlung Cremer,” Der Cicerone 21 (1929), p. 259.
  • The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 177.
  • “Chicago to Show a Strong Group of Old Masters,” Art News 31, 33 (1933), p. 4.
  • Daniel Catton Rich, “Die Ausstellung ‘Fünf Jahrhunderte der Frühmalerei in Chicago,’” Pantheon 6 (1933), p. 376.
  • Max J. Friedländer, Die altniederländische Malerei, vol. 11, Leiden, 1934, p. 137, no. 195a; rev. English ed., Early Netherlandish Painting, Brussels and Leiden, 1974, p. 90, no. 195a.
  • Georges Marlier, Ambrosius Benson et la peinture à Bruges au temps de Charles-Quint, Damme, 1957, pp. 110, 213, 326, nos. 184 and 185.
  • Jean C. Wilson, “Adriaen Isenbrant Reconsidered: The Making and Marketing of Art in Sixteenth-Century Bruges,” Ph.D. diss., Johns Hopkins University, 1983 (Ann Arbor, Mich., University Microfilms, 1983), p. 201.
  • Jean C. Wilson, Painting in Bruges at the Close of the Middle Ages, University Park, Pa., 1998, p. 199.
  • Susan Frances Jones in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 151-4, ill.

Comparables

Related holdings by the same hand

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