Woman at the Piano by Pierre-Auguste Renoir
Art Institute of ChicagoPublic domain

Woman at the Piano

Pierre-Auguste Renoir · 1875–76

Provenance

Ownership history

  1. Paul-Victor Poupin, Paris, by Apr. 1876 [per Catalogue de la 2e exposition de peinture, exh. cat. (Alcan-Lévy, 1876), p. 21, cat. 219, which lists Femme au piano as “appartient à M. Poupin”]. Possibly Durand-Ruel, Paris, by Apr. 1883 [per exhibition catalogue, cat. 13 is listed as Femme au piano with an asking price of £100, however Durand-Ruel Archives cannot confirm that the Art Institute’s painting was the one exhibited in London in April–July 1883; Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file, Art Institute of Chicago: “Il est possible qu’il s’agisse du même tableau mais nous n’avons aucun document nous le prouvant”]. Sold (possibly by the artist) to Durand-Ruel, Paris, Sept. 8, 1886, for 1,200 francs [per Durand-Ruel, Paris, stock book for 1884–90 (no. 1200, as La Femme au piano), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]. Possibly sold at Moore’s Art Galleries, New York, May 6, 1887, lot 93, for $675 [per Dauberville and Dauberville 2007. See also Moore’s Art Galleries, New York, The Durand-Ruel Collection of French Paintings, sale cat. (Moore’s Art Galleries, May 5–6, 1887), p. 28, lot 93. However, according to the Durand-Ruel Archives, “Le tableau n’a pas été vendu en 1887 lors de la vente à la ‘Moore’s Art Galleries’: il s’agissait d’une vente fictive (aucun tableau n’a été vendu) destinée à faire de la publicité pour les tableaux apportés par Durand-Ruel à New York.” See Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]. Durand-Ruel, New York, by Dec. 16, 1911. [per Durand-Ruel, New York, stock book for 1888–93 (no. 112, as Jeune femme au piano), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; sold to Martin A. Ryerson (d. 1932), Chicago, Dec. 16, 1911, for $16,000. [per Durand-Ruel, New York, stock book for 1888–93 (no. 112, as Jeune femme au piano), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, to the Art Institute of Chicago, Oct. 5, 2010, curatorial object file]; by descent to his wife Carrie Hutchinson Ryerson (1859–1937), Chicago, 1932 [Last Will and Testament of Martin A. Ryerson, Died August 11, 1932, copy in Institutional Archives, Art Institute of Chicago]; bequeathed to the Art Institute of Chicago, 1937.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Paris, 11, rue Le Peletier, 2e exposition de peinture [second Impressionist exhibition], Apr. 1876, cat. 219, as Femme au Piano. Appartient à M. Poupin.
  • Possibly London, Dowdeswell and Dowdeswell, Paintings, Drawings and Pastels by Members of “La société des impressionnistes,” Apr.–July 1883, cat. 13, as Femme au piano.
  • New York, Durand-Ruel, Exhibition of Paintings by Claude Monet and Pierre Auguste Renoir, Apr. 1900, cat. 39, as Jeune Femme au Piano.
  • New York, Durand-Ruel, Exhibition of Paintings by Pierre Auguste Renoir, Nov. 14–Dec. 5, 1908, cat. 5, as Jeune femme au piano, 1878.
  • New York, Durand-Ruel, 1911.
  • Possibly New York, Durand-Ruel, Exhibition of Paintings by Renoir, Feb. 14–Mar. 16, 1912, cat. 19, as Fillette en robe bleue.
  • Renaissance Society of the University of Chicago, Some Modern Primitives: International Exhibition of Paintings and Prints, Summer 1931, July 2–Aug. 16, 1931, cat. 73.
  • Renaissance Society of the University of Chicago, Commemorative Exhibition from the Martin A. Ryerson Collection, Oct. 9–30, 1932, cat. 18.
  • Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 337 (ill.).
  • Philadelphia, Pennsylvania Museum of Art, Manet and Renoir, Nov. 29, 1933–Jan. 1, 1934, no cat. no.
  • Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 226.
  • Toledo (Ohio) Museum of Art, French Impressionists and Post-Impressionists, Nov. 1934, cat. 16.

Literature

Published references

  • Catalogue de la 2e exposition de peinture, exh. cat. (Alcan-Lévy, 1876), p. 21, cat. 219.
  • Possibly Dowdeswell and Dowdeswell/Société des Impressionnistes, Catalogue of Paintings, Drawings and Pastels by Members of “La société des impressionnistes,” exh. cat. (Dowdeswell and Dowdeswell, 1883), p. 9, cat. 13.
  • Possibly unsigned review of Paintings, Drawings and Pastels by Members of “La société des impressionnistes,” Standard, Apr. 25, 1883, p. 2.
  • “Good Prices Realized. Close of the Durand-Ruel Sale of Paintings,” New York Times, May 7, 1887, p. 5.
  • Durand-Ruel, New York, Exhibition of Paintings by Claude Monet and Pierre Auguste Renoir, exh. cat. (Durand-Ruel, 1900), no. 39.
  • “Art Notes and News,” New York Times, Apr. 8, 1900, p. 9.
  • Durand-Ruel, New York, Exhibition of Paintings by Pierre Auguste Renoir, exh. cat. (Durand-Ruel, 1908), no. 5.
  • Possibly Durand-Ruel, New York, Exhibition of Paintings by Renoir, exh. cat. (Durand-Ruel, 1912), cat. 19.
  • “Renoir at Durand-Ruel’s,” American Art News 10, 19 (Feb. 17, 1912), pp. 2, 9 (ill.).
  • Renaissance Society of the University of Chicago, Some Modern Primitives: International Exhibition of Paintings and Prints, Summer 1931, exh. cat. (Renaissance Society of the University of Chicago, 1931), cat. 73.
  • Renaissance Society of the University of Chicago, Renaissance Society of the University of Chicago Bulletin (Spring and Summer 1931), p. 33 (ill.).
  • Renaissance Society of the University of Chicago, Commemorative Exhibition from the Martin A. Ryerson Collection, exh. cat. (Renaissance Society of the University of Chicago, 1932), cat. 18.

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