Christ on the Living Cross by Follower of the Master of Saint Veronica
Art Institute of ChicagoPublic domain

Christ on the Living Cross

Follower of the Master of Saint Veronica · c. 1420

Provenance

Ownership history

  1. Possibly Georg Hammels, Aachen [Georg Hammels Aachen is inscribed three times on the reverse]. Dr. Lersch, Aachen, by 1895 [according to Firmenich-Richartz 1895]. Prof. P. Stolz, Bad Kissingen, by 1927; sold to Galerie Heinemann, Munich, 5 February 1927 [according to Heinemann stockcard, copy in curatorial file]; sold to Charles H. Worcester, Chicago, Sept. 18, 1928 [Copy of invoice in curatorial file]; given to the Art Institute, 1936.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • New York, Kleinberger, Loan Exhibition of German Primitives for the Benefit of the American Red Cross, 1928, no. 4.
  • AIC, Loan Exhibition of Old Masters, 1928–29 (no cat.).
  • Renaissance Society, University of Chicago, Loan Exhibition of Religious Art from the Fourth Century to the Present Time, 1930, no. 32.
  • Art Institute of Chicago, A Century of Progress, 1933, no. 29.
  • Cologne, Museum Schnütgen, Glanz und Größe des Mittelalters: Kölner Meisterwerke aus den großen Sammlungen der Welt, November 4, 2011-Febuary 26, 2012, no. 204.
  • Nijmegen, Netherlands, Museum Het Valkhof, Mary of Guelders and her Prayer Book, October 12, 2018-January 7, 2019, cat. 81.

Literature

Published references

  • Eduard Firmenich-Richartz, “Wilhelm von Herle und Hermann Wynrich von Wesel: Eine Studie zur Geschichte der altkölnisch-en Malerschule,” Zeitschrift für christliche Kunst 8 (1895), cols. 302–03.
  • Carl Aldenhoven, Geschichte der Kölner Malerschule, Lübeck, 1902, pp. 90–91, 384, pl. 25.
  • Heinrich Bergner, Handbuch der kirchlichen Kunstaltertümer in Deutschland, Leipzig, 1905, p. 520.
  • Andreas Huppertz, Die altkölnische Malerschule, Munich, 1914, p. 21, fig. 27.
  • Karl Schaefer, Geschichte der Kölner Maler-schule, Lübeck, 1923, p. 25, pl. 25.
  • Hubert Wilm, “Sammler und Markt,” Der Cicerone 20 (1928), pp. 350–51 (ill.).
  • Frank E. Washburn Freund, “Ausstellung altdeutscher Malerei in den F. Kleinberger Galleries zu New York,” Belvedere 8 (1929), p. 285.
  • The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, p. 192, no. 1096.28.
  • Charles L. Kuhn, A Catalogue of German Paintings of the Middle Ages and Renaissance in American Collections, Cambridge, Mass., 1936, p. 23, no. 3.
  • Alfred Stange, Deutsche Malerei der Gotik, Berlin, vol. 3, 1938, p. 56.
  • Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings, Chicago, 1938, pp. 32–33, no. 28, pl. 20.
  • Otto Pächt, “Panofsky’s ‘Early Netherlandish Painting’—II,” Burlington Magazine 98 (1956), p. 271, fig. 16.

Comparables

Related holdings by the same hand

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.

Research assistant

Ask about this record