The Annunciation

1. Private collection, Paris, 1906 [according to Friedländer 1925]. Dowdeswell and Dowdeswell, London, 1906–14; sold to Martin A. Ryerson (d. 1932), Chicago, 1914 [invoice dated June 1914, Art Institute Archives.]; on loan to the AIC from 1914; bequeathed to the AIC, 1933.

Recorded by Art Institute of Chicago.

• London, Grafton Galleries, National Loan Exhibition, 1909–10, no. 76.
• New York, Kleinberger, Loan Exhibition of French Primitives and Objects of Art, 1927, no. 35.
• Detroit Institute of Arts, Seventh Loan Exhibition: French Gothic Art of the Thirteenth to Fifteenth Century, 1928, no. 9.
• London, Royal Academy of Arts, French Art, 1200–1900, 1932, no. 28.
• Art Institute of Chicago, A Century of Progress, 1933, no. 28.
• Art Institute of Chicago, A Century of Progress, 1934, no. 17.
• Art Institute of Chicago, Masterpieces of Religious Art, 1954, pp. 14–15.
• Art Institute of Chicago, Glad Tidings of Great Joy, 1993–94 (no cat.).
• The Art Institute of Chicago, New Light on Old Masters: Research on Northern European and Spanish Paintings before 1600 in the Art Institute, 26 June—14 September 2008, no cat.
• Paris, Galeries nationales, Grand Palais, France 1500: entre Moyen Age et Renaissance, 2010–11, no. 67.
• Art Institute of Chicago, Kings, Queens, and Courtiers: Art in Early Renaissance France, 2011, no. 60.

• Roger E. Fry, “The Maître de Moulins,” Burlington Magazine 9 (1906), pp. 330–31 (ill.).
• François Monod, “L’Exposition nationale de maîtres anciens à Londres,” Gazette des Beaux-Arts, 4th ser., 3 (1910), pp. 243–45 (ill.).
• Marcel Nicolle, “Exposition nationale de maîtres anciens à Londres,”
• La Revue de l’art ancien et moderne 27 (1910), p. 54 (ill.).
• JeanGuiffrey and Pierre Marcel, La Peinture française: Les Primitifs,
• vol. 1, Paris, 1913, pp. 18–19, pls. 53–54.
• Salomon Reinach, Répertoire de peintures du moyen âge et de la renaissance (1280–1580),vol. 4, Paris, 1918, p. 54 (ill.)
• The Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings, vol. 2, August 1920, p. 62.
• Martin Conway, The Van Eycks and Their Followers, London, 1921, p. 187.
• The Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, May 1922, p. 72.
• Maurice W. Brockwell, review of Conway 1921, in Connoisseur 62 (1922), p. 206.
• The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1925, p. 160, no. 2054.

Fragment from Christ Carrying the Cross: Mourning Virgin

Art Institute of Chicago

Fragment from Christ Carrying the Cross: Saint John the Evangelist

Art Institute of Chicago

At the Moulin Rouge

Art Institute of Chicago

Christ on the Living Cross

Art Institute of Chicago

Joseph Sold by his Brothers

Art Institute of Chicago

Peasant Family at a Well

Art Institute of Chicago

The Englishman at the Moulin Rouge

Art Institute of Chicago

Terrace and Observation Deck at the Moulin de Blute-Fin, Montmartre

Art Institute of Chicago

Museum holdings, not sale records. Auction results are only shown when a licensed price source is connected.