Female Nude Reclining with Arm Raised

1. M. [Lugt 1841, 1842].  Sold by an unknown bookseller, London, to Colnaghi, London, before 1947 [letter from G. Mayer of Colnaghi dated April 14, 1948]; sold to the Art Institute of Chicago, 1947.

Recorded by Art Institute of Chicago.

• Cambridge, Mass., Fogg Art Museum, Harvard University, "Seventy Master Drawings," Nov. 27, 1948-Jan. 6, 1949, n.p., cat. 37.
• Rotterdam, the Museum Boymans van Beuningen, "Rembrandt," May 18-Aug. 5, 1956, pp. 170-171, cat. 235; also Amsterdam, Rijksmuseum, August 8-Oct. 21, 1956.
• New York, the Pierpont Morgan Library, "Rembrandt: Drawings from American Collections," Mar. 15-Apr. 16, 1960, p. 52, no. 72, pl. 64; also Cambridge, Mass., Fogg Art Museum, Harvard University, Apr. 27-May 29, 1960 (as Rembrandt).
• New York, Wildenstein and Company, "Master Drawings from The Art Institute of Chicago," Oct. 17-Nov. 30, 1963, n.p., no. 31, pl. XII (as Rembrandt).
• Art Institute of Chicago, "Rembrandt After Three Hundred Years," Oct. 25-Dec. 7, 1969, pp. 175-176 and 228 (ill.), no. 136; also Minneapolis Institute of Arts, Dec. 22, 1969-Feb. 1, 1970, and Detroit Institute of Arts, Feb. 24-Apr. 5, 1970 (as Rembrandt) .
• Art Institute of Chicago, "A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago 1944-1970 by Margaret Day Blake," Apr. 28-Jun. 7, 1970, n.p., no. 9 (ill.) (as Rembrandt).
• Art Institute of Chicago, "Imaging the Body: From Fragment To Total Display," January 28-April 28, 1992, cat. by Barbara Maria Stafford, p. 28 (as Rembrandt).
• The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 126, (ill.), 129-30, 297-98, cat. 40, cat. by Victoria Sancho Lobis, et. al.

• Art Institute of Chicago, Bulletin of the Art Institute of Chicago 18:1 (February 1949), p. 12 (ill.).
• Agnes Mongan, ed., One Hundred Master Drawings (Cambridge, 1949), p. 92–93 (ill.).
• Marilyn Robb, “Art News from Chicago,” Art News 18:8 (December 1949), p. 50 (ill.).
• Otto Benesch, The Drawings of Rembrandt V (London, 1957), p. 304, no. 1127, fig. 1423 (as Rembrandt).
• J. G. van Gelder, Dutch Drawings and Prints (London, 1959), p. 47, no. 70 (ill.).
• Roger-Marx, Claude, Rembrandt (Paris: Pierre Tisné, 1960), pp. 293–294, no. 121d (ill) (as Rembrandt).
• Walther Scheidig, Rembrandt als Zeichner (Leipzig: E. A. Seemann, 1962), p. 59, pl. 137 (as Rembrandt).
• Joseph-Émile Muller, Rembrandt (Paris, 1968), p. 233-234 (ill.) and 271.
• Robert Hale and Terrence Coyle, Anatomy Lessons from the Great Masters (1977), p. 140 (ill.).
• Nathan Goldstein, Figure Drawing: The Structure, Anatomy, and Expressive Design of  Human Form, 4 ed. (Englewood Cliffs, New Jersey, 2004), pp. 325-326, fig. 7.31.
• Shelley Perlove and George S. Keyes (editors), Seventeenth-Century European Drawings in Midwestern Collections (Notre Dame, Ind.: University of Notre Dame Press, 2015) p. 173 (as Arent de Gelder).

Portrait of a Young Woman

Art Institute of Chicago

Jacob Shown Joseph’s Blood-Stained Coat

Art Institute of Chicago

Stoning of Saint Stephen

Art Institute of Chicago

Interrelation of Volumes from the Ellipsoid

Art Institute of Chicago

Excavation

Art Institute of Chicago

Sideboard

Art Institute of Chicago

The Crucifixion

Art Institute of Chicago

At the Moulin Rouge

Art Institute of Chicago

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