Portrait of a Young Woman

1. Probably Hugh Ker Colville, Bellaport Hall, Shropshire, England [according to London 1929]. Collection D. A. J. Kessler, The Hague [according to St. Louis 1922]. Jacques Goudstikker, Amsterdam, 1922 [lent by him to St. Louis, 1922; acquisition date according to Sutton 2008]. D. A. Hoogendijk, Amsterdam [lent by him to London 1929]; purchased by the Art Institute, 1932.1175.

Recorded by Art Institute of Chicago.

• St. Louis City Art Museum, Exhibition of Dutch Pictures from the 15th–20th Century, Collection Goudstikker, 1922, cat. 39.
• New York, Anderson Gallery, Exhibition of Dutch and Flemish Pictures XV to XX Century from the Goudstikker Collection of Amsterdam, March 10–April 7, 1923, cat. 41.
• The Hague, Pulchri Studio, Collection Goudstikker d’Amsterdam, November 3–December 2, 1923, cat. 35.
• Dordrecht, Pictura, Keuze-tentoonstelling van werken door Dordtsche meesters, 17e, 18e, en eerste helft der19e eeuw, October 1–19, 1924, no. 26.
• Rotterdam, Rotterdamsche Kunstkring, Collectie Goudstikker, December 20, 1924–January 11, 1925, cat. 24.
• London, Royal Academy of Arts, Exhibition of Dutch Art, January–March 1929, cat. 288.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 60.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 89.
• Art Institute of Chicago, Paintings, Drawings and Etchings by Rembrandt and his Circle, December 19, 1935–January 19, 1936, no. 17; traveled to Worcester Art Museum, Rembrandt and his Circle, February 4–March 1, 1936, no. 18.
• Hartford, Connecticut, Wadsworth Atheneum, 43 Portraits, January 26–February 10, 1937, no. 18.
• Kansas City, Missouri, William Rockhill Nelson Gallery of Art, Seventh Anniversary Exhibition of German, Flemish, and Dutch Paintings, December, 1940–January, 1941, no. 23.
• New York, The Metropolitan Museum of Art, Dutch Painting: The Golden Age, An Exhibition of Dutch Pictures of the Seventeenth Century, 1954–1955, no. 25; traveled to The Toledo Museum of Art; The Art Gallery of Toronto (New York and Toledo venues only).

• Kurt Bauch, “Ausstellung Holländischer Kunst von 1450–1900 in London,” Zeitschrift für bildende Kunst, 63 (1929–30), p. 20.
• Art Institute of Chicago, Report for the Year 1932 (Chicago, 1933), pp. 18, 35, ill.
• Daniel Catton Rich, “A Portrait by Arent de Gelder,” Bulletin of The Art Institute of Chicago 27, 2 (1933), pp. 34–36, cover ill.
• “Chicago Gets Work by Rembrandt’s Last Pupil,” Art Digest 7, 10 (1933), pp. 27–28, ill.
• Daniel Catton Rich, “Chicago Acquires Arent de Gelder,” Art News 31, 21 (1933), p. 14.
• Alfred M. Frankfurter, “Art in the Century of Progress,” Fine Arts 20, 2 (1933), p. 23, ill.
• C. J. Bulliet, Art Masterpieces in a Century of Progress Fine Arts Exhibition at The Art Institute of Chicago (Chicago, 1933), no. 51, ill.
• Hans Tietze, Meisterwerke europäischer Malerei in Amerika (Vienna, 1935), p. 338, no. 191, pl. 191; translated (New York, 1939).
• Daniel Catton Rich, “Rembrandt as a Teacher,” in Art Institute of Chicago, Loan Exhibition of Paintings, Drawings and Etchings by Rembrandt and his Circle, exh. cat. (Art Institute of Chicago, 1935), p. 11.
• “Chicago Holds Rembrandt Show of Wide Interest,” Art News 34, 14 (1936), p. 5.
• Coronet 1, 2 (1936), cover ill.
• Paul Gardner, “Northern Painting: 1400–1700,” Art News 39, 10 (1940), p. 8.

Female Nude Reclining with Arm Raised

Art Institute of Chicago

Jacob Shown Joseph’s Blood-Stained Coat

Art Institute of Chicago

Stoning of Saint Stephen

Art Institute of Chicago

Interrelation of Volumes from the Ellipsoid

Art Institute of Chicago

Excavation

Art Institute of Chicago

Sideboard

Art Institute of Chicago

The Crucifixion

Art Institute of Chicago

At the Moulin Rouge

Art Institute of Chicago

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