Orpheus Playing the Lyre to Hades and Persephone, from Orpheus and Eurydice or The Metamorphoses

1. Marshall Field and Co., Chicago, by June 19, 1952 [incoming receipt, RX646, June 19, 1952; copy in curatorial object file]; given to the Art Institute of Chicago, 1952.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Tapestries from the Permanent Collection, June 30-Sept. 30, 1979.
• Art Institute of Chicago, Regenstein Hall, The Divine Art: Four Centuries of European Tapestry, Nov. 1, 2008–Jan. 4, 2009.

• Wendy Hefford, "The Chicago Pygmalion and the 'English Metamorphisis.'" In The Art Institute of Chicago Centennial Lectures, Museum Studies 10 (Chicago: Contemporary Books, Inc., 1983), 99.
• Dora Heinz, Europäische Tapisseriekunst des 17. und 18. Jahrhunderts: Die Geschichte ihrer Produktionsstätten und ihrer künstlerischen Zielsetzungen (Böhlau Verlag, 1995), 74.
• Christa C. Mayer Thurman and Koenraad Brosens, "Flemish Tapestries in the Collection of The Art Institute of Chicago." In Flemish Tapestry in European and American Collections: Studies in Honour of Guy Delmarcel, ed. Koenraad Brosens, (Brepols Publishers, 2003), 171-184, fig. 3.
• Koenraad Brosens, ed., Christa C. Mayer Thurman, gen. ed., European Tapestries in the Art Institute of Chicago, exh. cat., [exhibition: "The Divine Art: Four Centuries of European Tapestries in the Art Institute of Chicago"] (Chicago: Art Institute of Chicago, 2008) 199-206, cat. 28 (ill.).

Scene from a Novella

The Metropolitan Museum of Art

Young Man Holding a Book

The Metropolitan Museum of Art

The Annunciation

The Metropolitan Museum of Art

Christ Appearing to His Mother

The Metropolitan Museum of Art

Pygmalion from Stories from Ovid

Art Institute of Chicago

Mater Dolorosa (Sorrowing Virgin)

Art Institute of Chicago

Saint Agatha

Art Institute of Chicago

Young Woman at an Open Half-Door

Art Institute of Chicago

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