Pygmalion from Stories from Ovid

1. Mrs. Arthur Cutten, Chicago, by Mar. 2, 1983 [incoming receipt RX865, Mar. 2, 1953; copy in curatorial object file]; given to the Art Institute of Chicago, 1953.

Recorded by Art Institute of Chicago.

• Art Institute of Chicago, Tapestries from the Permanent Collection, June 30-Sept. 30, 1979.
• Art Institute of Chicago, Regenstein Hall, The Divine Art: Four Centuries of European Tapestry, Nov. 1, 2008–Jan. 4, 2009.

• Wendy Hefford, "The Chicago Pygmalion and the 'English Metamorphisis.'" In The Art Institute of Chicago Centennial Lectures, Museum Studies 10 (Chicago: Contemporary Books, Inc., 1983), 92-117, fig. 9 (ill.).
• Dora Heinz, Europäische Tapisseriekunst des 17. und 18. Jahrhunderts: Die Geschichte ihrer Produktionsstätten und ihrer künstlerischen Zielsetzungen (Böhlau Verlag, 1995), 77-78, fig. 24.
• Koenraad Brosens, ed., Christa C. Mayer Thurman, gen. ed., European Tapestries in the Art Institute of Chicago, exh. cat., [exhibition: "The Divine Art: Four Centuries of European Tapestries in the Art Institute of Chicago"] (Chicago: Art Institute of Chicago, 2008) 199-206, cat. 27 (ill.).

Orpheus Playing the Lyre to Hades and Persephone, from Orpheus and Eurydice or The Metamorphoses

Art Institute of Chicago

Mater Dolorosa (Sorrowing Virgin)

Art Institute of Chicago

Saint Agatha

Art Institute of Chicago

Young Woman at an Open Half-Door

Art Institute of Chicago

The Garden of Paradise

Art Institute of Chicago

Saint Lucy

Art Institute of Chicago

The Small Workshop of Mechanics

Art Institute of Chicago

Three Nude Women

Art Institute of Chicago

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