The Actor Maximilian Korn in a Landscape by Ferdinand Georg Waldmüller
Art Institute of ChicagoPublic domain

The Actor Maximilian Korn in a Landscape

Ferdinand Georg Waldmüller · 1828

Provenance

Ownership history

  1. Jäger collection; sold Galerie Leo Schidlof, Vienna, October 11–13, 1920, lot 121 as Männerporträt, to an Austrian collector [according to an email from Marcus Marschall to Martha Wolff dated July 24, 2003, copy in curatorial file]; in the possession of a female member of this family, Innsbruck, Austria, by 1957 [according to the email cited above and Grimschitz 1957]; by descent to her brother-in-law, Bad Reichenhall until 1974 [this and the following provenance until 2001 according to the email cited above]; by descent to his niece, from 1974 until 2000; by descent to her son, Vienna; Dorotheum, Vienna, May 28, 2001, lot 22; bought by a private collector and consigned to Daxer & Marschall, Munich, 2002; purchased by the Art Institute with funds donated by the Gidwitz Family Foundation, 2003.

Recorded by Art Institute of Chicago.

Exhibitions

Exhibition history

  • Milwaukee Art Museum, Biedermeier: The Invention of Simplicity, September 16, 2006–January 1, 2007, cat. 83; traveled to Vienna, Albertina, February 2–May 13, 2007; Berlin, Deutsches Historisches Museum, June 8–September 2, 2007.

Literature

Published references

  • Bruno Grimschitz, Ferdinand Georg Waldmüller (Salzburg: Verlag Galerie Welz, 1957), pp. 35, 295, no. 217, pl. 2.
  • Bruno Grimschitz, “Ferdinand Georg Waldmüller,” Neue Österreichische Biographie ab 1815 14 (1960), p. 56.
  • Klaus Albrecht Schröder, Ferdinand Georg Waldmüller (Munich: Prestel-Verlag, 1990), pp. 17, 45 n. 58, 72, fig. 7.
  • Rupert Feuchtmüller, Ferdinand Georg Waldmüller 1793–1865: Leben, Schriften, Werke (Vienna and Munich: C. Brandstätter, 1996), pp. 51, 441, no. 237 (ill.).
  • “The European Fine Art Fair,” Weltkunst 72, 2 (2002), p. 147.
  • Art Institute of Chicago, Annual Report 2003–2004 (Chicago: Art Institute of Chicago, 2004), pp. 16 (ill.), 33.
  • Laurie Winters, “Northern European Painting and Drawing,” in Hans Ottomeyer, Klaus Albrecht Schröder, and Laurie Winters, Biedermeier: The Invention of Simplicity, exh. cat. (Milwaukee: Milwaukee Art Museum and Ostfildern: Hatje Cantz, 2006), p. 324, no. 313, fig. 313.

Comparables

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