Arlésiennes (Mistral)

1. Sold by the artist to Théo van Gogh for 300 Francs probably in the first half of 1889 [according to "carnet de l'artiste," 1888-1889, see Huyghe 1952, p. 223]; Émile Schuffenecker [according to Jeanne Schuffenecker, see Wildenstein 2001]; Thannhauser Galerie, Lucerne, c. 1923, stock no. 1167 [according to Wildenstein 2001]. James W. Barney, New York, c. 1929 [according to New York 1929 exh. cat.]. De Hauke and Co., New York, 1930 [according to Providence, R. I. 1930 exh. cat.]. Jacques Seligmann and Co., New York by 1931 [according to St. Louis 1931 exh. cat.; De Hauke and Seligmann may have owned the picture together since they were partners until about 1931]; sold to the Art Institute, October 26, 1934, using funds from the Mr. and Mrs. Lewis Larned Coburn Fund.

Recorded by Art Institute of Chicago.

• Berlin, Hugo Perls, De Delacroix à Gauguin, 1925, cat. 14.
• Basel, Kunsthalle, Paul Gauguin, 1848–1903, July-August 1928, cat. 39 or 44.
• Berlin, Galerie Thannhauser, Paul Gauguin 1848–1903, October 1928, cat. 30.
• New York, The Museum of Modern Art, First Loan Exhibition: Cézanne, Gauguin, Seurat, Van Gogh, November 1929, cat. 40.
• Providence, RI, Rhode Island School of Design, Modern French Art, March 11-31, 1930, cat. 14.
• St. Louis, The City Art Museum, An Exhibition of Paintings and Prints by the Masters of Post-Impressionism, April 4-26, 1931, cat. 15.
• The Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1-November 1, 1934, cat. 302.
• New York, The Museum of Modern Art, Cubism and Abstract Art, March 4-April 12, 1936., cat. 79.
• The San Francisco Museum of Art, 1936, cat. 61.
• The San Francisco Museum of Art, San Francisco supplement to the catalogue of Les Fauves, March 13-April 12, 1953, no cat. no. (shown in San Francisco only).
• Paris, Musée de l'Orangerie, De David à Toulouse-Lautrec: Chef-d'oeuvres des collections américaines, March-August 1955, cat. 28, pl. 74.
• Chicago, The Art Institute of Chicago, Gauguin, Paintings, Drawings, Prints, Sculpture, February 12-March 29, 1959; traveled to New York, The Metropolitan Museum of Art, April 21-May 31, 1959, cat. 13.

• Daniel Catton Rich, "Gauguin in Arles," Bulletin of the Art Institute of Chicago 29 (1935), pp. 34-37, ill. on the cover.
• René Huyghe, Le Carnet de Paul Gauguin, 2 vols. (Paris, 1952), pp. 100, 101.
• Mark Roskill, Van Gogh, Gauguin and the Impressionist Circle (New York, 1970), pp. 128 (ill), 145-6.
• John Rewald. Post-Impressionism from Van Gogh to Gauguin (New York, 1956), pp. 254, 256.
• Yvonne Thirion, "L'Influence de L'Estampe Japonaise dans l'oeuvre de Gauguin," Gazette des Beaux-Arts, per. 6, vol. 47(January-April 1956), p. 107.
• John Rewald, "Theo van Gogh, Goupil and the Impressionists," Gazette des Beaux-Arts 81 (1973), pp. 35-36.
• Georges Wildenstein, Gauguin (Paris, 1964), no. 300.
• Richard Brettell, Post-Impressionists (Chicago, 1987), pp. 28 (ill. detail), 29-30, 31(ill).
• Daniel Wildenstein, Gauguin (Paris, 2001), no. 329.
• The Age of Impressionism at the Art Institute of Chicago (New Haven and London, 2008), cat. 59, pp. 126–27 (ill.).
• Agnieszka Juszczak, "The Iconography of the Valpini Suite", Paul Gauguin: Paris, 1889, Exh. cat (Cleveland Musum of Art, 2010), p. 153, p.159, p.161, cat. 91.
• Anne-Birgitte Fonsmark, Friction of Ideas: Gauguin, Van Gogh, Bernard, exh. cat. (harlottenlund: Ordrupgaard; Copenhagen: Strandberg Publishing, 2014), 134–34, 200 cat. 119.

Mahana no atua (Day of the God)

Art Institute of Chicago

Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana)

Art Institute of Chicago

No te aha oe riri (Why Are You Angry?)

Art Institute of Chicago

Polynesian Woman with Children

Art Institute of Chicago

Te raau rahi (The Big Tree)

Art Institute of Chicago

Woman in Front of a Still Life by Cezanne

Art Institute of Chicago

Te burao (The Hibiscus Tree)

Art Institute of Chicago

Still Life: Wood Tankard and Metal Pitcher

Art Institute of Chicago

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